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Some Thoughts – Super Sonico The Animation Episode 2

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First Astronomical Velocity

Super Sonico episode 2

meee First Astronomical Velocity are holding a concert, and YOU’RE invited! Of course, because this is Super Sonico The Animation, nothing would ever go too smoothly… Tears, laughter and a whole load of “GOMEN NASAI”.

So after last week’s appalling starting episode, I was hoping that this week’s episode could redeem itself. And what can I say? It wasn’t THAT bad – in comparison – but still, it’s really lacking originality and the bit of “oomph” in each episode that makes you want to carry on watching. But hey, it’s progress… Maybe we might get a half decent storyline and plot come through by the end of the series!

In this episode, Sonico, Fuuri and Suzu are all planning for a concert held on 24th May, to promote their band… How very, very… K-On!-esque… Hm. Of course, because this anime basically revolves around Sonico, White Fox are desperately trying to slip in fanservice in every possible snippet and section they can. And to be honest, in most cases with fanservice, it can be quite funny or entertaining or actually… Good? But for Sonico? … No. You just start to get a bit fed up with it after a while… It’s annoying. In my post last week, I said how I was looking forward to seeing more of Suzu, because she seemed like she had a pretty interesting personality and relationship with Sonico (which we learn more about in the latter part of the episode). However, it just seems that Suzu is really a bad influence on the band… Fuuri, however, entertaining, silly, klutzy and ridiculous she may be, isn’t as stupid as she may first seem. Once Suzu reveals an outfit in which she wants Sonico to wear for the upcoming concert which apparently can melt as you sweat (I have to admit, Suzu gets a tip from me for the creativity factor, but really, she’s abusing that creative mind…), Sonico goes all “A-AHH, I-I CAN’T WEAR T-THIS, UUAA”, AGAIN. Instead of actually putting her foot down and saying no… Fuuri sticks up for Sonico, and says how Sonico should just wear whatever she feels most comfortable in, and too right, I completely agree with her, although it seems that Sonico really doesn’t understand that it’s okay to say no, what with her modelling job and all. Sighs. I suppose it was White Fox’s way of trying to balance out the fanservice and make it seem justified or something (ugh, but those creepy old men in the Zeppelin Bar that Sonico works at… Reira’s one cool grandma, though, hehe).

The girls keep rehearsing for the concert, and I am really looking forward to seeing and learning more about the band itself, although it did seem that this episode was focused on the relationship between Sonico and Suzu, plus a bit about Suzu and Fuuri (I really do want to know more about Fuuri, I think she’s actually a lot more smart and cunning than we really think she is… Well, I hope she is). I was also excited to see what the song the band would perform, considering I do quite a lot of the Hokago Tea Time songs from K-On! and… SoniAni does seem heavily influenced by K-On! (seriously, Sonico is just like the big breasted version of Yui, except unfunny and annoying). However, DISASTER STRIKES!

… It wasn’t all happiness and rainbows for the girls. Sonico sadly forgets she has more on her plate than she can handle and has to take up a modelling job and miss rehearsals. Once again Sonico wears a revealing outfit, however not as bad as last time: it was just for all the fanboys and fangirls to fawn over her. Although, it seems poor Sonico really does miss her friends and wishes she was at the rehearsal instead, and can’t seem to focus on her work. We soon join Suzu though at her workplace – I presume – and it seems that she and Sonico have a really good friendship. Whilst Suzu was mainly gravitated to Sonico because of her looks (how shallow…), it seems the pair really get along together too. They both met at a concert, and Sonico seemed pretty nervous and shy to go on her own, but was happy that Suzu approached her and spoke to her, and eventually, they all decided to set up their own band, presumably after being inspired by the concert they went to. It was quite nice, actually – a happy little story – and it seems that Suzu really brings out the best in Sonico, despite forcing her to wear revealing clothes at their concerts. Yes, Sonico is that annoying moe girl who is hopeless when it comes to everything, but it seems she does struggle to express her feelings properly; she’s shy and has trouble talking to people; and seems almost a bit… Lonely. I suppose it makes sense though, because people might be intimidated by her from doing all of her modelling and being a perfect student (although maybe I’m overthinking this), so maybe Suzu talking to her has made her a bit more confident and brought her out of her shell; made her a stronger person. That’s what I think, anyway, but I suppose we will find out more soon about Suzu and Sonico.

The day of the concert and arrives, and yet again… DISASTER STRIKES. There’s a huge traffic jam, by the looks of it: All of the trains and buses are packed, and it seems that Suzu and Fuuri aren’t going to make it to the concert on time. I suppose I felt quite bad for Sonico, because it seems she probably performs better with her friends around and is very shy in general, so seeing her getting all flustered, nervous, trying to improvise whilst onstage made me feel sad for her, considering I can completely empathize, along with many other people. But just in time, as Sonico is about to play the song… Fuuri and Suzu make it in time, and we get to hear the first ever song the band produced… “Skylab Hurricane”! Not sure what it was all about, but it was very K-On!-esque, like I said earlier: The lyrics making absolutely no sense but nonetheless it was quite catchy. Of course… White Fox was cunning again… Poor Sonico put on the wrong outfit.  Whilst she stood there flustered, half naked, shocked and embarrassed… We ended up with another “UUUAAAA!!” ending. No wonder she’s probably always so shy and nervous around people. Poor Sonico-chan…



Some Thoughts – Chuunibyou Demo Koi ga Shitai Episode 2

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Dolphin Ring Striker (The Dolphin’s Lovers Contract)

Chuunibyou Ren episode 2

meee Kyo-Ani really knows how to tug at my heartstrings. After this mellow, happy episode, I myself felt happy too. But trouble is lurking around every corner… So let’s all treasure the peace whilst it lasts!

After this emotional rollercoaster of an episode, I have to say that Chuunibyou Ren is shaping up to be an interesting anime. Of course, Chuunibyou is definitely not the best anime ever made by Kyo-Ani, but… If there’s one thing Kyo-Ani know how to do (and are able to do it very effectively)… It’s to make you cry (both tears of laughter and sadness). Once again, that ability shines through in Chuunibyou Ren. Episode 2 was certainly a happy episode to watch and made me laugh (and cry), but you just knew that something malicious was lurking around the corner… So, what next?

Well, let’s focus on the possibilities of “what’s next” later. It seems that we aren’t the only ones curious about Yuuta and Rikka’s home life: Kumin and Nibutani are certainly intrigued too… Even Sanae, although she does seem pretty upset and bothered by the fact her best friend is living with such a creepy pervert. I mean, who wouldn’t be bothered by that? I can understand why Sanae is so bothered by it, because now the episodes are going to mainly be focused on Yuuta and Rikka, so those two are always going to be together. Maybe Sanae’s jealous that Yuuta is stealing Rikka from her? It certainly sounds like something Sanae would be jealous over, but let’s face it: Sanae and Rikka have a special kind of friendship that no one could ever break. Nor… Would they even try to break: They’re just insane, living in their own world… Anyway, it does seem like Yuuta and Rikka’s relationship has only been sunshine and rainbows, so where’s the action and drama?!

Well, after some creepy stalker-like behaviour from Nibutani, Sanae and Kumin as they follow the couple around a local supermarket… It seems that the couple really do lack the romance in their relationship. Hence why Nibutani makes it her mission to change this! Nibutani calls some help from the romance expert: Kazari Kannagi! The wise love guru decides to set the couple on a date… Despite the fact it was completely against Yuuta’s will, Rikka seems happy to go along. And what Kazari said seems to be right, from what we can see: “Girls always wait for boys to make the first move”, and it seems that Rikka was growing a little bit impatient with Yuuta. Rikka’s always had trouble conveying her emotions, so I can only begin to imagine the frustration she’s feeling with Yuuta because he still hasn’t even held hands with her! … Yet he always manages to humour her with his “Dark Flame Master” antics.

Anyway, Yuuta decides to take Rikka to the aquarium where they… Actually manage to hold hands! Ahh, they’re just such a sweet couple. Despite Rikka’s chuunibyou tendencies, Yuuta manages to go along with them and actually enjoys it. The pair are such an unlikely couple, but seem to get along well… Mainly because of their chuunibyou, hehe. There’s hope for you poor old chuunibyou kids after all! After a long day at the aquarium, having fun and etc, the couple certainly seem to have grown closer as the day went on. Rikka… Finally manages to tell us that she’s unsure on what couples are supposed to do. Are they all supposed to kiss, hold hands… Do… Romantic things? Rikka’s unsure, and I think she’s mainly unsure on what to do because of her chuunibyou. She seems too immature (and I mean that in the nicest way possible) to know how to convey her feelings, or to… Actually divert her focus off of her childlike fantasies in her imaginary world onto other things that make her happy, because let’s face it, she can’t stay the way she is forever. Yuuta manages to understand though, and maybe that’s what made him tell Nibutani in the end they don’t need to change their relationship: They’re both good friends and are happy with how things are at the moment. Change will need to come soon, yes, but for now, things are okay so they don’t need to.

But little did they know, that change is coming round the corner… Right before their very eyes. Remember at the beginning of the episode when Nibutani said how someone moved in Rikka’s old flat… Well, as Rikka went and stood out on the balcony, I’m sure everyone who watched the original Chuunibyou had an almost dé ja vu moment… As a young girl lowered onto the fence of Rikka and Yuuta’s balcony by a little rope, clad in gothic clothing and the like… You begin to imagine the old scene in Chuunibyou where Rikka first met Yuuta, and his whole life changed dramatically… So… Who is this girl?! What is she going to do?! It’s also very convenient how Nibutani said right at that very moment… “If you keep waiting, someone is going to come between your love”… No! No one can break apart Rikka and Yuuta! Nooo! ;~;

What can I say, though? As I recovered after the episode with a box of tissues to wipe my tears, I can only say this… Who was that girl?!


Psycho-Pass Episodes 13, 14, 15 & 16

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After a huge delay, I bring you the coverage of episodes 13, 14, 15 and 16 of Psycho-Pass. Episode 17 is now out and I’m more than ready to watch it, so expect a post on that much sooner than this one. Also… If you’re able to read this until the end, you deserve my congratulations, my thanks and a cookie. I’ll be back soon with episode 17′s coverage!


Invitation from the Abyss

Episode 13 finally gets back to what everyone had be waiting for since before the new year: the aftermath of the incident with Makishima Shougo. This episode delivered the answers to everyone’s questions, and what answers they were! I’m sure I wasn’t the only one surprised by how well she handled the trauma, redirecting her emotions to the right place, and putting her focus into stopping Makishima. Seeing as how Kougami’s crime coefficient went up after his own traumatic experience with Sasayama’s death, judging by how Akane reacted on episode 12, I certainly thought this would be somewhat of a breaking point for her, yet the way her psycho-pass recovers so easily is… rather interesting. And it becomes an increasingly interesting fact the more we learn about the workings of the Sybil system.

And as I must begin talking about this information-packed episode from somewhere, I guess I should begin from the start. Ginoza’s crime coefficient has been rising lately, having gone up by 7 points. It still bothers me that we really don’t know how to quantify it or the limit from which on someone would be considered a latent criminal. Yes, each reading we witness gives us a better idea about it, and I don’t mind being left to my own conclusions, but I hope that, at least later on, we’ll be explained some more conclusive aspects of the Sybil system’s mechanics.

Back to the scene itself, Ginoza is being advised about his Crime Coefficient having gone up, and he’s told that any further increase will have to be reported. All along we’ve known being an Inspector carried a greater danger towards one’s Psycho-Pass, being forced to witness the most ugly facet of the world. But seeing Ginoza actually having to worry about it, he who’s always been what I would consider a model Inspector by Sybil’s standards, actually brings a new light to the issue, and a way more noticeable one at that, reminding us that anyone who is as close to “the abyss” as they are (couldn’t resist a mention of the episode’s title) will be in danger of falling. And such a danger is actually why the Enforcers exist in the first place. Their Crime Coefficient is already that of a latent criminal so it actually doesn’t really matter if it goes up. And knowing this world’s circumstances, it’s definitely convenient having someone around to do the dirty job. Less convenient was the advice Ginoza got regarding stabilizing his Crime Coefficient, which despite not being an agreeable one for him, it’s one of the most obvious advices that could be given to someone, regardless of the type of trouble they’re into – talking about it to someone they’re close with. But Ginoza seems not to be close with anyone, his only family being his father, whom he’s not in good terms with. Now for who his father his, that had more than enough foreshadowing earlier on, so it wasn’t a surprise to see him talking to Masaoka about his problem. And this conversation was a very good one, for it had not only elements for character development, it packed yet more information about the setting, a setting that is growing increasingly fascinating with each episode that goes by without relying in explicit exposition, which is something not all series can boast of.

Of course Ginoza doesn’t approach Masaoka openly, rather asking him about how Akane manages to keep her Psycho-Pass so clear and her Crime Coefficient so low, to which Masaoka answered she wasn’t afraid of her own Psycho-Pass, simply doing what she believed to be correct as a detective, something he once started lacking after everything changed when the Sybil system was implemented. From this conversation we can see how simply doubting the system, doubting the job the system deemed correct, doubting one’s purpose in it, is enough to get one’s hue clouded. While I could see this as another inconsistency in the measurements, akin to Makishima’s extremely low Crime Coefficient, it’s not doing anything else than fitting its purpose – because by taking away the rights of those who doubt it, the Sybil system is truly capable of being a self-supported system. And that was probably the most interesting piece of information in this conversation. Besides the information about the system, we also got some backstory on Ginoza and Masaoka. It’s finally confirmed that the former’s dislike for latent criminals steams from the situation his family arrived at after his father was deemed one. It was nice seeing the current dynamics of their relationship in some more detail. I love how laid back and understanding of his past mistakes and current position Masaoka seems to be, having an awareness of the world fitting of a person his age and caring a lot without Ginoza, not letting the fact his son gives him the cold shoulder get to him. That is, of course, not to mention how Ginoza is just being a tsundere type here. Ah, I guess I really should try not to get as attached to the characters as I’m now getting. This is unhealthy in anything Urobuchi Gen writes…

So, leaving the father/son interaction behind, let’s get to Akane and her amazing stress management capabilities. She sure showed some great mental strength in her choice of submitting herself to a memory scoop – something like a brain scan where one relives one’s memories, allowing them to be retrieved. Let’s face it, this is way more efficient than simply describing the criminal’s face for a rough sketch to be made but… seeing her friend get killed once again… willingly… Akane really showed some guts there. But what I really liked about it was how that was simply sheer courage. Which means she still hurt the same. Relieving the trauma had the reaction anyone would have expected, even though she did it. Anything else would have been too much of a drastic change in character. This way it was a quite good development for her.

Something else to point out about it is how much Kougami cared for her. At this point I find them a really interesting main duo and I really want to see more of both. They’ve both been getting some really solid character development and so has their relationship. And with the events of episode 11, they now have a bigger link binding them – how much Makishima Shougo affected them and their desire to capture him. Seeing Akane’s resolve rivaling Kougami’s was a treat. (Ah, what had I just written about not getting attached to the characters…? I don’t know what my reaction will be if either of them dies in… a bad way. Though I sure am guilty of loving tragedies.)

However, while both of the aforementioned scenes were really interesting, even if in different ways, I think the highlight of the episode was definitely Ginoza’s conversation with the MWPSB’s director. And that would be due to how much it was revealed about the workings of the Sybil system.

Well… That and this amazing Rubix cube. I want one of these now.

Ginoza’s submitted a report questioning Sybil’s judgement regarding Makishima, based on what Akane witnessed. He’s called out due to that, and while the director first tries to convince him him that for one reason or the other, Akane’s report isn’t trustworthy. That having failed, due to how obvious the truth is, she starts a very interesting exposition about the benefits and needs of the Sybil system. I’ve talked about its benefits and they’re undeniable from an objective point of view. They deny free will, as people have their life-changing choices made by the system, rather than themselves. It denies individuality, eliminates doubt and distrust and tones down motivation for one’s improvement. But if that’s the price to pay for a safe society in which people don’t waste time figuring out what they want or changing jobs, a society that employs people’s strengths and talents in the best way possible. The only drawback I see is really the lack of motivations in the workers, but still, by assigning everyone to what they’re more talented in doing, the system does improve the workings of the society in objective terms. It just has no regards for individual entities but for society as a whole. Now… considering the bigger picture, wouldn’t that be the ideal society? A crime-free one that has “achieved the greatest happiness for the greatest number of people”, to use the director’s words.

However, looking at it from an individual perspective, from the point of view of a human being, it’s wrong in all aspects. But that’s not what matters here. It works and people accept it. Through fear and what could be deemed as brainwashing, but they do accept it and live by it. And that’s the ideal to the director of the MWPSB. However, as she promptly confesses to Ginoza, the system isn’t perfect, even though such a society could only be kept up if the system was indeed perfect. Thus, it is of the utmost priority that people think the system is perfect. And for that, Sybil’s judgement is ultimately enforced by the Inspectors and the Enforcers. By humans, not machines. Sybil’s safety net is a minority of the people who have the very capability for judgement it denied to everyone else. And that’s why the resolutions to cases such as the Specimen Case are kept secret. Makishima’s extremely low case coefficient isn’t an unknown anomaly, but yet another case of “criminal asymptomaticism”. Because there are apparently people whose Crime Coefficients never go up no matter what. Approximately 1 in each million people. Which, if I may add the trivia, is actually the estimated ratio of psychopaths in our world. The existence of such people, who can commit crimes without ever being detected and subsequently deemed dangerous by the Sybil system, conditions the reliance of everyone in it, hence needing to be hidden from the public. That’s the needed basis for the system to work, and that is what Ginoza is entrusted to protect. Of course that gave little to no doubt he was being manipulated as a simple pawn, but that those words stand true is undeniable – that’s what it takes to support the Sybil system, and at this point, questioning it publicly would mean the end of the current stability, something that no one desires. Well, no one in the the MWPSB, that is.


Sweet Poison

On episode 14, Makishima finally moves ahead with his plan of making people aware of the society they’re living in and causing a revolution. The episode starts with a man wearing a strange helmet getting into a pharmacy and killing the workers for whatever substances he wanted. Up to the last moment, no one suspected him, regardless of his strange behaviour and the unusual fact that is someone going around with what seems to be a gas mask in his head. And that’s the proof of how much everyone trusts the system. There were scanners in the pharmacy. Actually there are scanners pretty much everywhere, with very few blind spots in regular areas. “If someone bears any ill will, the scanners will detect it and the drones and authorities will intervene.” That’s common knowledge and everyone’s absolute and unshakeable belief. That’s how perfect and omnipotent the Sybil system was made to be. Too bad that isn’t the truth and too bad such extreme measures were taken to make it pass as the truth.

As we see the second offense taking place – a brutal murder of a woman in the middle of a street, right bellow the nose of a street scanner – people’s lack of reaction becomes quite apparent and extreme. It’s not that everyone just stood by and watched. They stood by and watched as the killer would bring down the hammer time and time again as without understanding what was going on. That and the drone reporting the rise in the victim’s psycho-pass without doing a thing regarding the obvious crime it was simply unable to recognize was way more disturbing to me than the murder itself.

With the trust society itself places on the Sybil system, there are no means left for solving this kind of cases, as Akane very accurately notes in the first crime scene. Soon after, we get to hear Ginoza telling her a story of the past a.k.a. our real world society, where peace was based in distrust and caution. Has sad as it seems when put that way, I think a society as reliant on something other than humans themselves is way sadder, for having lost their individuality and not being used to analyze situations and make decisions by themselves, people are completely powerless in face of an unforeseen situation. It’s a case of the old saying that “ignorance is bliss” and it ultimately comes done to which situation you’d prefer to be in. I know my answer.

As more cases are reported, it becomes obvious that rather than his quiet experiments consisting in giving the tools to people with motives in order to study their nature through the exerting of their free will in committing crimes, Makishima has now massively distributed a free-pass for undetected murder with the clear intention of upsetting society’s balance. The current system has no means left to deal with a crime in which the criminal can keep his psycho-pass clean, let alone a series of these crimes. Thus, chaos starts to spread throughout the city.

The second half of this episode is spent with our MWPSB team solving the street murder case. Once again, by itself, the case isn’t very interesting, as they simply go to the suspect’s house and find him there. But that wasn’t the point anyway. What was supposed to be shown (and effectively is) is that the person in question had a motive for the crime, which makes this more than a random crime and takes them close to realizing Makishima’s intentions and actions. The most important thing, however, is the discovery of how the helmets work. That was still a mystery by then, since if they simply blocked the scanner, an alarm would go out, as a human whose psycho-pass couldn’t be scanned was impossible and had to mean some kind of tampering. When they find him, the man has his helmet on they can’t fire the Dominators due to the very low readings, yet when he escapes, Kougami points his Dominator at Akane, finding out that the reading is exactly the same, which leads them to the conclusion that the helmet picks up the lowest crime coefficient among the surrounding people, making it quite the amazing device in a world where the authorities are only armed with a weapon reliant on such readings.

That lead to a very interesting (though the correct word here would probably be “cool” instead) chase that focused on getting the suspect away from any crowd, leading him into an abandoned factory where they managed to corner him. There, the lowest Crime Coeffiient around was Kougami’s, thus finally activating the Dominator and making it possible to shoot the guy with the Paralyzer. What actually interested me the most here was how Masaoka asked about Kougami’s high Crime Coefficient. He answered he felt like killing the guy with his bare hands, hence the high number, but the helmet is supposed to pick up on the lowest Crime Coefficient around, so Masaoka’s should be even higher. I don’t know if that’s something relevant or not, but I found it worth noting.

Finally, the episode ends with Makishima surrounded by some guys who talk about how awesome the helmets are and mock Makishima for being so careless and carrying those around like that. Then, they proceed to attack him, presumably to get the helmets for themselves and profit by selling them, to which Makishima replies they’re supposed to be a tool to make society fall into awareness of themselves and the surroundings, rather than live their lives as “lifestock” and those guys are just the same. I’ve got to confess I’ve never thought Makishima would be that good with fighting, but it seems he isn’t bad at all, as he easily dispatched those guys, once again creeping me out somewhat when he hammers the baseball bat into that guy’s mouth.


The Town Where Sulfur Falls

Episode 15 marks the true set in motion of Makishima’s plan, as the citizens finally begin realizing that the crimes that were starting to be seen all around weren’t mere plays or anything of the like, but real crimes, which would obviously shaken their belief in the Sybil system. In the beginning of the episode we see Makishima distributing the huge pile of helmets to people who presumably had a motive either to kill someone, hurt someone, or simply cause some wreck around the city.

I found one of the most interesting scenes in this episode to be right in the beginning. The choice of conveying the masses’ thoughts and opinions through the scrolling online comments was one that worked really well, managing to give the viewers an understanding of the whole range of reactions in a short amount of time and in a way that felt really natural. The reactions themselves ranged from the ignorant and naive comments of absolute disbelief, even ridiculing any other possible views of the happenings, to the exaggerated conspiracy theories about the Bureau being the ones behind the events, passing by the genuine curiosity and doubt regarding the system and those sure of the facts they were witnessing giving advice on means of self-defense and claiming the failure of the system.

“But there’s no such thing as murder, right? lol” “Dumbass. This is so obviously fake.”

And that’s the important spark in here. To all those people who were used to living as “livestock”, to use Makishima’s words, Sybil acted both as a safety net and a shackle. Generally speaking, no one would do anything Sybil would deem wrong because they couldn’t escape the omnipresent street scanners and no one would think anyone else would do something for the same reason. As people set aside the need to think for themselves, they set aside the need to protect themselves. Therefore, when such a need arrives so suddenly to such a peaceful society… the result can’t be good. And it certainly isn’t.

The events in this episode surely reminded me of Shiki, as the people use the excuse of self defense to carry out the ugliest deeds. It’s quite the pessimistic view of the human nature, but nonetheless a rather realistic one, all the more understandable knowing the kind of society those people lived in. The victims become the aggressors and the aggressors become the victims to the point where who is who is but a matter of self-perspective and the whole thing turns into some kind of all-out-war as riots rise everywhere. As the self-defense excuse turns more and more into an excuse and less of a need, I actually can say I started emphasizing with the helmet-wearers a lot more than the former “victims”, for they at least had real motives such as having been deemed to an unsatisfying life in a job they didn’t desire, simply because they’d have better aptitude for it (or wouldn’t have aptitude to do anything better or more rewarding). That’s not to say they were right in the slightest, but that the citizens who claimed to the MWPSB that they were only defending themselves were just as wrong or even worse. What I did find quite disturbing about the helmet-wearers’ actions was the attack on the students. For some reason I simply hate any crimes based on jealousy towards someone who isn’t at fault of having the privileges they do and didn’t even ask for them. The students’ reactions actually surprised me as well, even though it only fits the little thesis on human nature this episode tried to pass on along with the interesting plot development. I think all of that was very well shown.

Anyway, the specifics aside, in general, all this events prove us the huge importance of the Sybil system being believed to be perfect, just like it had been pointed out in episode 13. Now that the belief is broken, the foundations of the society are shaken, and those who were supposed to act as the safety net for the system are way too few to deal with such an unforeseenably widespread situation, as the Sybil system’s implementation was thought to have erased any possibility of riots among citizens. The few people working in the MWPSB are given orders to stop the riots, and as the helmets block the efficient use to the Dominators, they’re given old tools in the stun batons and electromagnetic pulse grenades, being that the later are amazingly useful, for they tamper with the helmet’s mechanism, allowing the Dominators to function as they should. Unfortunately, though, their numbers are limited. And so, due to the limited personnel, all of the MWPSB agents are deployed to stop the riots around town.

Of course Makishima’s plan wouldn’t be such a simple one as freeing people from their conformist, passive and uncritical attitude. As Kougami very cleverly notices, the riots, happening all over town except near the Ministry of Welfare building, left such an important place completely unprotected. Choe discovered that unlike what was advertised and what would be the common sense conclusion, the Sybil system wasn’t comprised by a bunch of separate servers scattered around the city but, at the very least, had a central point, as all information processed by the scanners passed by the Ministry of Welfare, which also had some shady power consumption for its functions. And with that, this episode sets the stage for a dramatic confrontation in an interesting place to be explored and for some nice revelations that will probably come.

Now, what this episode left me wondering was about the Sybil system and Makishima’s methods. Right now, with what we’ve been revealed so far, it’s not exactly easy to take a stand on the matter. Sybil gave birth to a solid, stable and safe society which enhances productivity to its best. But as I’ve mentioned earlier, I don’t believe it is for the best, as individuality and motivation are not only good for a society, but important parts of human beings. It’s like the society evolved with the price of the people devolving. However, I can’t agree with Makishima’s methods, as efficient as they may be, even if I do agree with his stance on the Sybil system based society.

I would agree that humans only have individual value if they’re acting like individuals, or, in other words, if they’re acting according to their own will, dreams, aspirations and emotions. The Sybil system voids that by telling them such is not needed nor desired. It’s efficient to build a stable society, but not efficient in providing a sense of satisfaction and accomplishment to their citizens. Meaning that while it’s actually focusing so much in mental health, it’s actually been degrading it. People comply due to how it brings such peace and due to fear. Those motives are fully proved by how they react to Makishima’s little experiement. Once such perfectness of the system is proved unexistent, doubt strikes everywhere and the mental unstability of the masses shows, a lot.

In the other hand, the more I think about it, the more I perceive this as a bloody revolution to take down a dictatorship, (as it has even been lampshaded, despite it being so obvious, that this is at its core a fascist system), and I don’t remember having many problems with those, even though I have my country’s (Portugal) history as proof that one can bring about drastic revolutions without bloodshed. So I do agree with Makishima, but I can’t vouch for his methods. I also can’t avoid how the remaining characters affect my objective view due to the focus of the show in them. Which means I think my opinion might be a bit biased against him. But also makes this one of the issues I most want to see resolved: The main characters are the Bureau guys, that’s obvious. And we’re seeing this through their view. But not only do I agree with Makishima’s views, he’s actually being portrayed as generally being right in the series. So I really am wondering how all of this will turn out.


The Gates of Judgment

Episode 16. This is where we start getting to the real deal. This episode was probably the main turning point of the story, judging by the events that take place in the Ministry of Welfare. I hadn’t seen this kind of massive 5/5 percentage in MAL’s episodic thread polls since Madoka Magica episode 10, and man, does this episode deserve those numbers. It might not have been as revealing or game-changing for the series as the aforementioned episode was to its series but it was a very interesting one in which much happened and many of the characters’ positions and circumstances changed, even though to where those changes will lead is still anyone’s guess.

The episode starts with Makishima and Choe trying to figure out which of the two places with the most power-consumption in the Ministry of Welfare is the one were the Sybil system would be stationed. Such a deduction isn’t hard for them, as it seems they ought be hiding something in the basement, as what the early blueprints showed as having 20 floors was only listed as having 4 in when they access the electronic system of the building. When they decide where to go, Choe notices how a car from the PSB is already on its way there, to which Makishima replies it must be Kougami. This turn of events was obviously in his calculations and he chooses to head to the Radio Tower instead of the bottom floor, where Sybil would be localized. I understand that it was obvious Kougami would come after him and that would diminish the threat for whatever they wanted to do down there. However, I don’t see Makshima has someone would would fully trust someone else to carry out his plan of utmost importance. Therefore, I believe there was a meaning in his actions of running upstairs to attract Kougami.

Soon after, the team composed by Kougami, Akane and Kagari arrives at the Ministry of Welfare, only to see with their own eyes how right they were about the intruders. With Shion’s help cracking into the building’s security (I gotta love how she actually recorded Akane’s words about taking full responsibility for the cracking as a means of insurance. That was surely a nice little quirk xD), they get access to the prints for the building, giving them the navigation advantage. As Makishima expected, Kougami went after him along with Akane, despite knowing that whatever they had been planning was to be executed downstairs. Something I like about Kougami, which is actually one of his flaws as well, is how he doesn’t act purely objectively, much on the contrary, but finds objective and plausible justifications for his actions before acting. Ideally, things should go exactly the other way around – decisions should be based on objective points rather than objective points being raised in function of already taken decisions, but I really like that about him all the same. Makes his character a nice mix between hotheaded and calculating, and a very relatable one at that.

As they head towards the Radio Tower in the elevator while Kagari goes down to the basement, Kougami points out to Akane that they need to capture Makishima anyway, for he’s the mastermind behind all the happenings so far and he’s the one who must be stopped at all costs: without him, they’ll never get their questions answered, and if he escapes, even if the current issue is solved and his present goal is stopped, he could very much just put some other ingenious and successful plan in motion, so not letting him do so is actually a very prudent choice, whatever motives it might have been based in. Still in the elevator, seeing as they’re going to fight men wearing helmets with Dominators, Kougami comes up with quite the clever plan of having Akane wear a helmet so the other helmet-wearers couldn’t pick up her low Crime Coefficient. Now, despite having just said it was a clever plan… this is probably my only qualm with this episode: how come Kougami forgot about Makishima? It’s equally or even more unbelievable that not one persona in the staff hadn’t noticed how strangely plot-convenient that decision was coming from a very perceptive and smart character. Thus I’ll just assume they thought the range wouldn’t be big enough to pick up Makishima’s Crime Coefficient since he’d be higher up in the building.

While Kougami and Akane were climbing up the Ministry of Welfare building, Kagari was descending to the basement, only to notice that the there were plenty of stairs leading way bellow the supposed four floors the place had. He still manages to inform Shion, who doesn’t have the floors in her system, of it but soon after the communication is cut due to some kind of electronic jamming the bottom floors seem to have, which leaves Kagari completely on his own without anyone to give him directions. Soo, on his way down, he meets up with one of the helmet-wearing man who shoots him in the shoulder with a nail gun. And let’s just say they had a really nice and eyecandy fight, one of the few we had this episode. Of course that was far from being the highlight of this scene. Instead, the best part was surely his talk with Choe in the intercommunicator he took from the guy he defeated. Kagari being an Enforcer, Choe tries to convince him to instead join their side, with the prospect of freedom.

Well said. That doesn’t look like a very appealing type of freedom to me.

But as expected, Kagari refuses. And oh boy, can I say how much I loved his attitude? He was totally awesome in his answers, not to mention how perfectly reasonable they were. For someone who had been deemed a latent criminal at the age of 5, losing his freedom while still in his childhood, someone who hated the Sybil system, a hate that was apparent from the very first few episodes in his conversations with Akane, it was but normal to feel good in knowing how those deemed to be good citizens were now taking each others’ lives like animals.He knew those people were in the wrong and he knew it very well. But he also knew who had been the cause for that and despised them as much as he despised Sybil. So seeing both of them destroyed would be the ideal scenario for him. From his composure in face of the situation to his loyalty to his friends and his rather strong sense of justice, what he showed in this episode made me wonder why he had been deemed a latent criminal, as he packs so many positive qualities many others lack. Or maybe those points were actually what made Sybil deem him one. It’s still not clear what the criteria for the measurements are, but it’s clear that Sybil has a purpose and an ideal in its ruling, a self-sustaining purpose and one more subjective than it’s publicized to be, so it could very well be possible.

Back to the action, we’ve got a few more scenes in this episode, all of them featuring Kougami. As he and Akane encounter the first obstacle on their way up, the young Inspector is shot in the leg by a nail gun, as the Dominators didn’t work against the target, despite the helmet trick, due to Mikishima being in pick-up range for the helmet. Kougami proceeds up the stairs and takes the guy out with a very impressive German Suplex after barely avoiding taking a nail to the face. The obstacle removed, he’s worried about Akane getting shot but she tells him firmly to keep going, as she’ll be there once she stops the bleeding. I seriously doubt that at this moment there’s any viewer who doesn’t see her as the great character she is. But more on that later.

As Kougami proceeds up the stairs, we find ourselves looking at the same location shown in that little prologue in the beginning of episode 1. He fights not with one, but two helmet-wearers. The first one, a hacksaw, catches Kougami by surprise, injuring him in the abdomen, a wound that really seemed like a hindering one. Yet Kougami manages to gain enough distance to discharge the whole nail gun in the guy, taking him out like that. As he tries to head up, another man with a helmet attacks him, this time with a Buzzsaw. Trying his luck with the Dominator, Kougami doesn’t seem to have any, as the helmet is clearly lose enough to pick Makishima’s Crime Coefficient. That said, Kougami manages to send the man flying down the building, blowing up his head with the Dominator as he falls down. Something interesting to not here is  helmets block the scans, which means the Crime Coefficient read should be Kougami’s rather than the helmet guy. It’s not exactly relevant, but I always find these details worth noting, specially  case, where it clearly reflects Kougami’s intention of killing Makishima when he finally gets to him.

Which is something we didn’t have to wait too long to see. As Makishima goes down the stairs, praising Kougami for his fight, it’s completely obvious we really have gone full-circle back to that first scene. I’ve got to say I’ve always loved when a story is clearly planned out from the very beginning, and this being the case only raises the points in its favor. I still found the “You’re *insert name here*” trade-off a bit awkward but this time round I totally couldn’t have cared less. And it’s not only because I know how Urobuchi seems to like this kind of scene (he did the same with Kiritsugu and Kirei in Fate/Zero), but mostly because the build up to it was so good, and the prospect of the fight to come so exciting, that I couldn’t care less about a two little sentences feeling out of place. Specially since the rest of their dialogue, on the other hand, was quite good, with the Pascal quote and Kougami’s retort (I never thought he’d be versed in literature as well) followed by the declaration of his intent to kill Makishima and the exposure of his reasoning in face of the other’s question about his detective values. It was nice knowing Kougami couldn’t care any less about Makishima having spared his life before. Specially since it’s obvious the later’s intentions in doing so weren’t the best.

As for the fight itself… Well, it has to have been one of the best fight scenes I’ve seen. Guns, swords, crossbows, knifes… all of those weapons are really cool. But for me, nothing beats a good old fist fight. Specially if it is as amazingly choreographed and well animated as this one. With the fluid movements and realistic body stances, this fight was truly a huge treat to watch. All the fight scenes in this episode packed the aforementioned qualities, but this was the one that showed them to a greater extent. It’s not all the time that I talk about the production values of a show, but I gotta say this scene really impressed me for the best.

Animation aside and on to the content of the fight, Kougami lost, as I expected after knowing Makishima was no weakling and seeing how Kougami was actually badly injured. He still put up a good fight, and that was nice to see. He still lost and as Makishi was presumably about to kill him (and I say “presumably” here because I don’t believe that was his intention – more on that later), Akane shows up from behind Makishima, hitting him with a helmet in the head. As Makishima fell unconscious, Kougami requests for Akane to kill him, which she does consider as she lifts up the helmet, ready to strike. This scene really hit home for me for several reasons. The first one was that I wasn’t sure what Akane would end up doing. Usually, the main character would never do something such as kill someone while what she should do is arrest him, but with this writing style, everything is a possibility, and I really was left wondering what she would do, for she had all the reasons to actually want to kill him. And she did feel like it. Which brings me to the second reason I really liked this scene: the emotion it carried. Not the kind of melodramatic, manipulative emotion that is written with the main purpose of making the viewer cry. No, it was more of a heart-wrenching one, for I could almost feel Akane’s pain as the flashbacks passed by and her tears started flowing. The scene was both really well written and really well directed and I could really admire Akane’s decision of arresting Makishima rather than killing him because it felt like a painful decision taken by a real person, rather than a simple matter of upholding some sort of morality standards that can’t be broken no matter what. That’s why I like her so much as a character. She has developed a lot since the very beginning and has had one of the best characterizations I’ve seen. She was a rookie, but definitely not useless, she has her values and is determined, and staying true to herself and her wishes is something she seems to value a lot, as she builds up her resolve through the events that take place in the previous episodes, her courage becomes noticeable, but her fear is never forgotten. Her reactions to her surroundings and the events that happen feel natural and real, and… well, she’s just that great a character.

Either way, I couldn’t believe the caught Makishima so easily. A guy like him would have notices Akane approaching. A guy like him wouldn’t have let the most crucial part of his plan in someone else’s hands. In other words, yes, I think he let himself get captured. Which is good. I just want to know why now. Maybe he’ll try to persuade the PSB to join his cause. That’d be good as well.

What isn’t exactly good is what happened down there with Kagari. As we see him, badly wounded,meeting Choe at the Sybil core, both of their faces of surprise say but one thing to us viewers: the Sybil system is not what we thought. As for what it is, I have no idea. There have been some theories I saw around the Internet about it being a biological supercomputer made of real humans, and I actually find that a very likeable possibility given Kagari’s reaction and Choe’s claim that to bring down the system it was enough to simply leak the information to the world. And that’s when the director appears, holding a Dominator and shots Choe. Now, Dominators weren’t supposed to even function down there, which means she bypassed the need for confirmation. But the biggest surprises had yet to come: she’s a cyborg… and she shoots Kagari. The Dominator was set to the Paralyzer, yet she bypassed the system once again and it turned into something that looked like the Decomposer from episode 3.

Right side: Episode 16; Left side: Episode 3

The episode then comes to an end with a blue-ish light shining over Kagari’s resigned face.

Now my question would be…. What the hell just happened here? Who is the chief? Is she an AI serving Sybil’s purpose or someone like the hunter guy who was a complete cyborg with the exception of his brain and conscience? I’m not even sure. I had the idea maybe Sybil was indeed controlling the cyborg, but that would imply Sybil has the ability to judge the criminal asymptomatic people. Which would be strange. The image of that woman seeming so satisfied with the prospect of Makishima having been identified by the end of episode 13 still flashes in my mind now.

I just want the next episode now. And that’s what I will watch. Expect a post on episode 17 way quicker than these last ones. Maybe even tonight or tomorrow morning.


Review: Code Geass: Akito the Exiled 1

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Code Geass: Akito the Exiled

There was a ridiculous amount of anticipation from fans of the original series. Sadly, it didn’t have much to offer for fans outside of it.

As you can see from my favourites, Code Geass: Lelouch of the Rebellion is one of my favourite anime. I had been looking forward to more geass since I watched the ending R2 – which each subsequent watching making me want more. I just felt like there was so much more to tell even though the ending neatly wrapped everything up for me. That’s where Akito the Exiled comes in I guess. For the sake of laziness I’ll refer to it as A1.

A1′s plot hasn’t really been established, though we do have a setting. If you’re not familiar with the geass universe it does do a rather good job and making Japan seem oppressed by the holy Britannia empire. Although showcasing Japan as the poor, weak country and the Japanese as weak doesn’t sit well with me… Whatever, it did an okay job of pissing me off I guess. Though it pissed me off for the wrong reasons. I’d like to see just one piece of Japanese literature showcasing Japan as they saw themselves in WW2. Eh, who am I to complain? It’s only a show, and I loved the original series.

Anyway, that’s besides the point. Other than establishing a setting the movie/OVA doesn’t have a whole lot to offer for people who aren’t fans of Code Geass. Hell, it doesn’t even explain what geass is. The only time we saw a glimpse of it was Akito being affected by it and someone(who is probably his brother) using it to kill another person. It just isn’t very accessible, and that could be forgiven, though this isn’t a continuation of Lelouch of the Rebellion. It’s considered a gaiden and should be able to be watched and understood by anyone.

The CGI used was kind of annoying. The beginning mecha fight was really boring but steadily improved as the episode went on. The animation wasn’t anything spectacular for a short OVA/movie but it did remain consistent. A1 also didn’t have an outstanding soundtrack but the ending song has a haunting feel to it… Which I like. I’m hoping it foreshadows a darker plot than the original series.

We really don’t get much characterization, and the characters themselves don’t interest me that much. Other than Akito and Leila we don’t get any development from anyone else. The scene at the end with those ghosts was mildly interesting, but they were the ghosts of people we’ve never met or grown to know. How’re we supposed to get the least bit interested in why they were there and what they had to say? How’re we supposed to feel Akito’s pain? The characters simply do not approach the charm and charisma of the original cast.

I guess it did offer some satisfaction for me, because what the hell, we get more Code Geass! I’m not quite sure what to expect so far with the plot, characters and everything else but it did at least create potential with its setting. The biggest complaint I have overall is that A1 simply is not accessible for people who are not already fans of the original series… I mean, they could have AT LEAST explained geass. Overall the OVA itself wasn’t very good but I’m optimistic with what’s to come. Skip this OVA if you haven’t seen or didn’t like Lelouch of the Rebellion.

And so here I am, shamelessly barging into Justin’s post to give my two cents on the matter. The reason for that is that… while I do agree with most of his points, I think any potential watcher could use a more positive perspective of this OVA, even though we both scored it the same.

Unlike Justin, I expected nothing of this. I liked Code Geass, despite the ridiculous train-wreck of a second season it had *runs from Justin*. However, I always thought everything that was supposed to be told had effectively been, and never desired more of the series. Perhaps because of that I wasn’t disappointed with this, for I had no expectations to begin with.

Akito the Exiled is a story that takes place between the first and second seasons of Code Geass, or in other words, while Lelouch is out of the picture. Most series with a genius as the protagonist are pretty entertaining exactly due to that, but it’s always nice to see how less… brilliant people  would try to solve the situation. And that’s what this OVA is about, to cut it short. A young great strategist who’s too idealistic for the position she’s in (at least in the view of others), a mysterious Japanese solider who can hear the voices of ghosts because he has “died before” and a resistance force, all of them dealing with the setting that’s familiar to anyone who has watched Code Geass in a less omnipotent-like way. It might not be that way for some people, but for me this surely makes it interesting.

Now, its main flaw would have to be something Justin has mentioned above – the lack of a plot, so far. What hints us to the presence of one is actually the final scene, of which the relevance is barely understood due to how disconnected it was from the rest of the episode. However, it must be taken into account that this is the first episode. And for a first episode, establishing the setting and presenting the characters while managing to be entertaining is more than enough for me. The action was cool, the politics seemed interesting and I really liked the characters. I actually thought they were really well characterized for an episode with 50 min of length. Yes, no one but Leila and Akito had any development, but those two had enough and let’s be honest here: 50 min is the equivalent time of two episodes in a TV anime. I don’t think one would expect side characters to get relevant development in the first two episodes of a series. At least I wouldn’t. And as I didn’t, I could focus completely on Leila and Akito and both characters interested me immensely.

As for the technical part, the character designs have the same Code Geass style anyone would be expecting, and the visuals carry quite the eyecandy quality that’s only to be expected of a movie. I actually disliked the CG when I first saw this, but now, rewatching in 1080p the mecha fights I had first watched in 360p, I can say I don’t mind it at all. I still prefer traditional animation, but this does look gorgeous and not too unnatural, so it might actually be a good point rather than a bad one, as it does allow for more fluidity. Oh, yeah, and I was in love with the ED song – I thought it was a really great one.

All-in-all, this was nothing mindblowing and the plot was practically non-existent. But all of that can be explained by the fact that this was but a first episode. And as I liked the premise and the main characters, I’m actually looking forward to the next installment. Moreover, I wouldn’t retain from recommending this to people who haven’t watched Code Geass. Yes, the setting is better understood if one has indeed watched and the preview makes it seem like this really will cross with the main series on a deeper level than simply sharing the main series. But for now, it seems to be an enjoyable and understandable series, even for whoever isn’t familiar with the main story.


Psycho-Pass Episode 17

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Iron Heart

So, episode 17 may not have been the action-packed awesomeness last episode was but for me it felt like the shortest episode we’ve got so far. And when you spend 20 minutes looking at a screen and end up astonished at how that’s what how your watch registered the 5 minutes you were sure to have passed… well, you know you enjoyed something immensely.

Wrapping up big events is never an easy task for storywriters. After a particularly interesting and events, the simple act of ending such a string of happenings often feels anti-climatic and non-satisfying. Thankfully, that wasn’t the case here. Actually, it was far from it. The episode starts with a sense of uneasiness and melancholy in the Division 1 of the PSB. They had “won”, having stopped Makishima’s plan and captured him. But that’s all they did. The riots still happened and Kagari still disappeared (well, to them he did disappear, since we viewers now know very well he has indeed died). As Kougami points out, they didn’t win, their sole win was the lack of a loss, the fact that they managed to “end it in a draw”. I found his philosophy about detective work really interesting, actually: “A detective never wins, because the essence of the job is uncovering the truth about something that has already happened, not prevent it from happening. In that sense, the resolution to any case is never a full win, and the team’s feelings in this episode show that really accurately. I think the atmosphere they intended to set in this episode was successfully passed on to the viewers.

Also of interest is Kougami’s claim that they live in a dangerous society, a very dangerous one indeed. It’s just that everyone chose to turn a blind eye to that because it’s convenient to do so. A society without distrust for others, a society with as small a police force as the MWPSB is… That is obviously not a safe society if someone decides to shake things up for once, like Makishima did. But nobody wanted to see the danger because no one wanted to admit the comfortable society they lived in wasn’t a perfectly built one.

Either way, as those details are handled we get to the most interesting parts of the episode. Kasei (to whom I’ve been referring to as the chief / director), tells them they aren’t allowed to interrogate Makishima and they’re to investigate Kagari’s disappearance instead. In order to purposely mislead the team into mistakenly believing that Kagari used the confusion to run away from the Bureau and regain his freedom, she points to the escape of on of Division 2′s Enforcers in those same circumstances and prepares a false clue in Kagari’s Dominator, disposed of quite far from the Ministry of Welfare. However, the characters are neither too happy with the fact that they won’t be able to even see Makishima, let alone interrogate him, nor too convinced with the prospect of Kagari’s disappearance. Kougami in particular is extremely displeased that he won’t be able to interrogate Makishima, which is only understandable giving his hate for him. As he goes to Ginoza and angrily complains about the orders he had just transmitted, Ginoza simply tries to stay clear of any conflict and tells Kougami to express his displeasure directly to the chief. Of course it would be unthinkable for an Enforcer to do that, and Kougami knows it and points out Ginoza would be the one in trouble if he actually followed his words. Which is why he doesn’t. I think Ginoza was being a bit too obedient and pacifist to my taste, but it’s what I would expect from someone with his personality who is in his position. One of the most important things would totally be not to compromise, which is what he tries and succeeds at here.

But the big revelation comes next. “What is the Sybil system?” was the question floating in everyone’s head after the end of last episode. Here, such little intruding question finally got its answer as we see what happened to Makishima. Having been captured, he wakes up trapped in a room, with the sole company of Kasei, who proceeds to tell him the true nature of the Sybil system. First of all, it’s very interesting to note that the image being passed on to the public isn’t even a lie: Sybil is a supercomputer after all. But it is an organic supercomputer, one consisting of 247 brains,of which  there are 240 “active” at any given moment, while the other 7 are doing some other rather important things as personally leading the Public Safety Bureau as Kasei. In other words, at any moment there are 240 brains working as parallel processors of a super computer that reads the information from the scans and gives its judgement. Those brains once belonged to criminal asymptomatic people, such as Touma and Makishima themselves. Such people’s hues can’t be assessed for the simple reason that those people live with their own moral code, hence it not being possible to measure their pyscho-pass, as it isn’t possible to understand them. Ironically, in order to judge something machines (non-humans) alone couldn’t, they gathered the most inhumane humans.

Speaking of Touma, the Kasei who approaches Makishima is actually Touma, or rather the cyborg body we already knew it was, complemented by Touma’s brain. Hence the “Shougo-kun” at the end of episode 13, I guess, even if I believe Kasei wasn’t always Touma each and every time we saw her. Either way, as Makishima is a criminal asymptomatic, he’s obviously suited to join the Sybil system as yet another full-time ruler. As such, Touma tries to use to his advantage the fact that both of them had cooperated before to convince Makishima to join the system of his own free will, explaining him everything about it and showing him Choe’s video of it. Makishima doesn’t seem so convicned so Touma talks about his own experience, and how it was at first confused but soon realized it was a great thing, a source of amazing intellectual pleasure and some other opinions that easily revealed how he was completely drunk with power, with the prospect of being a god, ruling over the city and with the irony that the very people who, like him, were rejected by the system to live a regular safe life, were also the ones ruling over the accepted ones, being part of Sybil itself. However, Makishima doesn’t want power – he never did and it was completely obvious that he didn’t. He loves humans. In a freaking creepy and somewhat sadistic way but he does. What he wants for society is the re-establishment of self-awareness and free will, so he’d never want to be a cog in the system that takes them away, that is very obvious. But somehow, either due to overestimating himself in his excessively narcissistic view of himself, or simply not having ever gotten even a grasp of what Makishima was trying to change in society, he thinks he will surely be able to convince him, which is given away by his lack of precautions against a possible running attempt, assuming Makishima wouldn’t run away without knowing his location. Now, why would he be so sure about understanding the mindset of someone he had just admitted that couldn’t be understood by the entirety of the Sybil system? Overconfidence in his omnipotence really seems like the most plausible answer. Too bad it gets him this:

Add to that a little more gruesome and less ridiculous attacks and you get the picture of what happened.

Of course it wouldn’t have been a problem if it was just a book to the face. But no, it definitely wasn’t. After claiming that life is an amazing game in which he want’s to remain as a player forever and throwing a book to Kasei/Touma’s face, Makishima completely wrecks the cyborg’s legs and beats it up until he can reach the brain, his intention seeming to be killing Touma and getting away, which he manages just fine. His reaction while in here made me think he actually didn’t have his capture planned out and he really was just careless at the top of the Radio Tower. Though he still could have had this planned out in order to find out more. Either way, he’s now free again and with way more information in his hands, so the next step should be worrying about what actions to take. He has obviously taken the video from Kasei, so he could just show it around but it would do nothing more than cause instability due to the doubt between “real” and “fake”, which would achieve nothing more than what he already had with the Psycho-Hazard caused by the helmet wearers. As such, what is the most plausible to supposed is that he’ll try more of an inside approach, using the MSPSB Division 1 members as his pawns. Not to mention, he actually seems to have already got his plan in motion, with the phone call to Kougami by the end of the episode having quite the impact on him. As Shougo actually said, Kougami really isn’t the kid of persona to side with the Sybil system knowing what it is. This brings up the very interesting possibility of cooperation between these two, which would be a really interesting point, since while I’m certainly not seeing Kougami continuing to abide by the Sybil system, I also don’t see him disregarding his pursuit for Makishima and the fact that, according to Kougami, at the very least, he has to be brought to justice for his crimes.

Now that the synopsis of what happened is out of the way, I’d like to analyze two very interesting aspects this episode touched upon: the human adaptability and building of a comfort zone and the Sybil system itself and its implications in the accuracy of measurements, be it its objectivity or the actual ability to judge.

Starting by the first one, it’s Touma himself who lampshades this by saying he was completely confused when he was stripped of his body and started living as a brain, as well as confused about the whole collective consciousness thing going on in Sybil. However, he was forced to be there. As such, he ended up adapting and building is own opinion on the advantages of his situation. Right now, as of his episode, he saw himself as some kind of god who rules above the Sybil-based society, since he was indeed part of Sybil, rather than looking at himself from the perspective of being simply a brain stuffed in… some kind of glass box who’s completely dependent of a being maintained by a system in which he only has 1/247 of the control in. So tell be about overlooking the bad side of one’s situation. But he does, and he does so to great levels, as one can see by his astounding narcissistic speech.

Actually, this theme of conformism with one’s situation has been explored, directly and indirectly throughout the whole series. Seeing as that’ exactly what’s going on with everyone who quietly lives under the rule of the Sybil system. They’ve conformed to such a live because as long as they live as told, which is actually not all that hard for most people, and the inconvenient of not being able to make their own choices is overshadowed by the simplicity of letting something else decide for them. It’s actually also touched upon by Kougami when explaining to Akane about the people in the mental recovery facilities. Some manage to recover and some get worse and have to be executed, but most simply get used to that life style and make no effort towards recovery because they feel fine living like that.

The recurring nature of this theme in the series makes it seem like it’s a facet of human nature Urobuchi has tried to explore, and it’s a rather pertinent one at that. Humans are very adaptable but also very quick to conform to new situations, even when it might not be the best one when looking at it objectively. That makes self-induced change a hard and rare process, even if obviously not impossible, being a weakness most people bear. I do realize I’m somewhat rambling here, but I thought it was a view worth exploring, for it has been touched upon many times throughout the series.

The second thing I’d like to talk about is actually way more relevant to the plot: the implications of the fact that Sybil is basically made of human brains. For the purpose of achieving a judgement capability and computing power superior to that of regular machines, human brains were used to power Sybil. However, the use of human brains would mean subjectivity in judgement. So, in order to make it as similar to a machine as possible, brains of asymptomatic criminals were used, ensuring the lack of subjectivity through the use of people incapable of empathy towards others. So let’s assume that the Sybil system is indeed purely objective. If a machine would use some kind of criteria, covering as much ground as possible, to judge someone, humans do the same, but the criteria are their own, meaning the functionality of Sybil is based on the concept of human understanding. As it is explained in this episode, people are criminally asymptomatic if they can’t be understood by Sybil, and otherwise, they’re judged by it “normally”, which supposedly means “flawlessly”. But in terms of trying to comprehend something,  not understanding and understanding aren’t the only options. One can clearly not understand something, understand something correctly, or misunderstand. And if everyone who’s part of Sybil has as huge an ego as Touma, that’d actually contribute to the existence of those, which are the false positives that everyone seems to keep denying the possibility of existing – even when admitting the Sybil system isn’t perfect – when it’s pretty much apparent that they do.

If Sybil was indeed a conventional supercomputer, it’s probably act on pre-programmed criteria, judging the people it can evaluated based on those, with the asymptomatic criminals being those who’s mindset wasn0t covered by the programmed criteria. Either way, the organic supercomputer or conventional machine, the Sybil system could never be completely voided of any subjectivity, as even a machine would act objectively based on subjective criteria, as such is the nature of all moral codes. But it being an organic supercomputer does raise the possibility of misunderstandings, for not following a sole set of established criteria and relying on a more complex means of evaluation.

As a last note, I’ll just say that as always, I’m really looking forward to watching and covering the next episode and apologize for not being able to bring you coverage on this one as fast as I had hoped and promised.


JoJo’s Bizarre Adventure Episode 19

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Race To the Cliffs of Death

Stroheim is back in business! He got an extreme nazi makeover, turning into a cyborg. He made sure to up his strength and have tons of little gadgets in his body. Including a machine gun.

Cars has come forward seeking the Red Stone of Asia. Coincidentally, he finds Joseph and everyone else as well. Cars first meets Stroheim, and finds out about his stomach machine gun. Cars being himself, is unaffected by the bullets. He takes none of Stroheims shit and starts cutting up all the bullets with his arm blades. His arm blades are pretty much chainsaws, at a very high speed. Stroheim was rather, in awe with the fact Cars just chopped up every single bullet. With that opening, he cut Stroheim in half.

Stroheim ends up using an ultra violet beam to knock the Stone of Asia out of Cars’ hand. Leaving a race between Cars, and Joseph to go after it. We get Josephs lovely running style. The both of them race, and Cars believes he knows what Jojo is planning. Put he was wrong as Joseph kicked snow at him, and grabbed the stone. Cars just comes back with stabbing him in the shoulder to not fall. I don’t get where Jojo comes up with his ideas off the top of his head, but using icicles as a rope was really smart. Cars is such a sweetheart even though he’s the bad guy. I mean, he avoids falling on flowers by smashing himself against the cliff? and gives off a hilarious laugh.

Joseph finally realizes how much of a dick he is after teasing a cat with salmon and kicking it. They’ve finally found out where Cars is staying. Since it’s the day time, everyone thinks it’s a great idea to go rush in right away. When it’s really not because they’ll get attacked. Wham and Cars are waiting for them to jump in during the day. Jojo was the only one thinking properly at went against it. This left Caesar upset because he wants to avenge his father. They both get hot headed, get into a pretty cool fight, and then Caesar heads off to the mansion himself. Everyone, get your tissues and ice cream ready for episode 20.

Sorry about this late post, I’ve been distracted this week with school work and what not. I’ll have episode 20 up later today.

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JoJo’s Bizarre Adventure Episode 20

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Caesar’s Lonely Youth

“Joseph screams Caesar’s name. Lisa Lisa sheds tears of sorrow. Yet no matter how much they call out to Caesar, no answer returns. Caesar is dead, and the silence drives this home for JoJo and Lisa Lisa.”

This episode is the start of the final fights. That will be pretty amazing. I was looking forward to this episode, as well as dreading it. I didn’t want to see my favorite character fight to his death. After he got hit with the holy sandstorm it was really sad to watch him try and beat Wham up. Using up his last strength to grab the ring, and his final ripple to pass onto Joseph. Now we’ll have a vengeful Lisa Lisa and Joseph to bring out some splendid battles. The Chariot Race is next which is really exciting.

Let’s rewind real fast. We start off this episode by learning Caesars past. How his father left him, and his family took the money that was left for Caesar. So he grew up as a thug. Getting by, by beating people up and just being some street trash. Until he saw his father one day. He was planning on beating his father up, until he learned something. He’s a good man, saving Caesar. Without even knowing that was his son. He watched his father die in front of him. With his final words of “Go to Venice and see Lisa Lisa” Where he learns everything about his past.

The next few battles are going to be pretty awesome. They’re going to deliver a ton of action with Cars. It leaves me really excited for the next few weeks. With how fast things are going, I’m starting to wonder about part 3. We only have enough to go for 3 or 4 more episodes. I’ll be really excited if they start off Stardust Crusaders! The only thing we can do for now is to wait and see.

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Chihayafuru 2 Episodes 7-16

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Episodes 7-16

Alright, so I’m back and covering this. Unfortunately the series has been dragging ass lately.

Look, I love Chihayafuru. I’m starting to really like karuta as well. I don’t know much about it, but I did see some videos. Holy shit, the speed class A goes as isn’t exaggerated at all. I felt like it wasn’t humanly possible to be that good at karuta – I was wrong.

However, with this season, it seems like they’re focusing too much on unimportant matches with useless side characters. The only one I could see us seeing again in the future is Megumu, but even so, there was a ridiculous amount of focus on her. Not to mention those cameramen, the geek squad and fake lǎowài. The matches in the first season seemed more important so far than what they’re showing here.

Not only that, but just now I’ve realized they’re using the same formula. OMG, they’re so fast! *YAWN*, please, I wanna see more varied matches. How can you possibly keep being surprised your opponents are fast? Not to mention the long shots of the shocked crowds with their jaws dropped and the copious amounts of crying afterward. It’s just getting old, Chihayafuru.

On the other hand, Arata and Chihaya have been in the same damn building the whole tournament and they still haven’t run into each other. It’s getting straight up frustrating to watch this weekly when they keep teasing us with what we want to see.

So in short, I’m still enjoying this, but a lot of the stuff that’s happening seems like filler. Hopefully we can get to see more matches we want to see rather than putting in useless side characters and spending too much time on them.

The worst part is, even though this has been dragging ass as of late, it’s dreadfully slow and they had a recap episode…. Oh brother.

Oh, and I think I’m the only one who likes the eyelash girl. Anyway, let’s get these episodes out of the way so I can go to watching it weekly.



Hunter x Hunter Episode 128

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Unparalleled Joy x And x Unconditional Love

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DoofusUnparalleled 王!!! x And x Unconditional 王!!!!!

I was honestly hoping to feel a little better by now, in order to properly sink my teeth into the episode, but I can’t keep delaying it in spite of feeling as bad as Mereum looks in his ashen state. So let’s make this one brief.

Joy and Love are weird emotions. Not as weird as something like, say, Murder or Far (Kara no Kyoukai would suggest), but pretty damn weird if this episode is anything to go by.  And when it comes to the King, the royal guard would have nothing else than to devote themselves to him and be at the height of such emotions. Which we see in their entirety. As the two find their king still alive, they do they’re everything to nurture him back to health, feeding their own essence to him. In this, the King finds a flavor beyond what he’s tasted before. In that, Pouf and Youpi find an ecstasy unlike they’ve felt before. Just as they’ll become unimaginable monsters for their king, they’ll give literally their everything to keep their king alive.

Interestingly enough, this is compared to a mother’s affection and actions to their child, in both the scope of the emotion as well as the gratitude the mother would feel. As a mother would breastfeed their child, the two royal guards have fed part of themselves to the King. . There’s more to it however, as it’s not only a show of the King being nurtured, but what appears to be that gratitude I mentioned. For their efforts, Pouf and Youpi find themselves transitioning from their unparalleled joy to the unconditional love portion of the title, finding themselves a in a confusing space, with only the three of them as well as the looming metaphorical hand of the Ant Queen. In this, Mereum divulges his name to the two royal guards and in this they finally understand the warmth of the emotion their feeling. A thank you from the mother, an understanding of what love the mother would have for the young absolute being through nursing him from death, and have reached what is the pinnacle of their species. This through unconditional love, which can only be a purposeful flipside to what was humanity’s malice before. Naturally however, it’s not quite as straightforward as being the true nature of either species, as the imagery used is of a human mother and a human infant, but it’s a pretty curious way of showing these two species in such a moment, back to back.

Also curious is how Youpi looks in this scene. He kind of loses it once he turns into his tiny adorable form, but being in those flames seemed to have had some adverse effects. Is it just a detail to signify he was in there and it’s super rough and all, or is there actually more to this? Well, if he had kept the bulging veins in his tiny form, that would have cleared that right up as something note-worthy.

Of course, as much as unconditional love is spouted here, the royal guard all have their own target of their affection to the King. The love the King in slightly different ways, and it’s Pouf, with his love for his ideal King, where he is desperate to place a condition. The King’s “rebirth” (the breastfeeding and reaching the level of queen obviously being an actual comparison to his first birth) was not without snags, and he only has the vaguest of recollections of what his situation is currently. Chance time. As the King is told more, he begins to have a semblance of what has occurred and what he’s currently doing. But as it’s been long set-up, Pouf believes the King would be far better off without Komugi anywhere in his life. To be more like his ideal of the King is to not have her exist. So this is his one and only moment to get rid of Komugi, kill her before the King can reach her and thus before he can reach his memories of her. This too, though, is what Pouf would see as his unconditional love, only doing what he would see as best for the King. I mean, this is preceded by the scene where Pouf (and Youpi) apologize for feeding themselves to the King, but they assure they did it in his best interest. And naturally, as they serve the King, Pouf will continue serving in what he sees as the King’s best interest: ridding him of his only weakness.

Cause really, that’s where we’re at currently. The King, in his rebirth, has only become more unimaginably powerful, ridding whatever weakness he may have even potentially had.  With this, the only conceivable way he could ever be handled would be through Komugi, and Pouf knows it. But poor butterfly man, his circumstances are only looking to get increasingly difficult. Even if he has a head start with his other self already turning back to the palace, the King’s power-up and new wings push Pouf’s time limit to the very most minimal number. If that weren’t enough, and it’s definitely not, Komugi as well as Pitou and Gon are nowhere to be seen. He gets potcleaned promptly upon his arrival (lacking any knowledge of either Knuckle’s or Melereon’s abilities), and in that moment, our heroes see that the King is indeed still alive. But they have the one chip left in their arsenal capable of deterring him, whether they know it or not. Killua could very well put things together, so it’s down the very last hands of the arc. Honestly, it’s damn curious. With the King in the state of being he is, his only downfall would be through non-violent means (presumably, at least not through straightforward violence anymore), so the question is how can Komugi truly be leveraged here? Poor Gungi player is out of her league.


Haikyuu!! Episode 6

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An Interesting Team

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DoofusFor the first match, this match portion of this practice match is surprisingly low-key. But then again, with other content to more than make up for it, that’s likely how it was meant to be.
Up until the end, that is.

I’ll admit, the beginnings of Haikyuu are somewhat of a blur to me. With WSJ series for the past few years at least, I tend to catch them as they begin their serialization (Shokugeki no Souma, Assassination Classroom, pretty much anything since Toriko began it’s run), but Haikyuu, for whatever reason, I only got to as it had gone well past it’s introductory phase. So having read it all in bulk, the content starting from now is totally vague in my mind. Which isn’t to say the content is forgettable or anything, since really. This was another pretty great episode.

What we have going on this episode is essentially the continuation and perhaps looking at the end of the two major issues we’ve been dealing with since the start. Those being Hinata’s transition into an actual team, and Kageyama’s transition into actually working in a team. What better setting for that then the first match as a team, against opponents very familiar to the perma-grouch setter. Hinata can’t bear not to play on the court, and with everybody unaware of exactly what he’s worried about, (nearly) every single word sent his way sends him further and further into the deep dark realms of the bathroom. The only real moments where Hinata shows to be at his natural state are when Tanaka unintentionally says the right words to alleviate his concerns (while also backpedaling like the dummy he is) and when he gets to have a chance to complain and talk about Kageyama with one of the old Kitagawa Daichi players, thusly dubbed Turnip Head. Perfectly enough, Tanaka also comes to ruin Hinata’s stomach here, despite trying his very best to be a cool senpai.

On the other hand, Kageyama is handling his own situation remarkably well, as he said he would last episode. He joins in on the intimidating posturing after Tanaka’s and Tsukki’s less than playful ribbing, because honestly. Who wouldn’t want to be part of the cool crow motif whenever possible, particularly after some equally cool character interaction. But Kageyama doesn’t actually say a word himself, besides to respond simply to Turnip Head’s prodding. Kageyama’s distinction which he made last episode is showing here, the enemy are simply the enemy at this point, regardless of what the past holds. That’s essentially all we get from Kageyama on that issue for the entire episode, besides moments when he surprises Turnip Head with his new found human decency and acknowledgement of teammates. It’s set-up obviously to show this new change he’s going through, but that doesn’t make it bad. On the contrary, it’s already kind of satisfying knowing the awkward kid for what he is. And that doesn’t mean his nature has changed entirely either, which is definitely a good thing considering his scenes this episode.

containedbeast

And when I’m talking about scenes here, I’m talking all the little moments that are sprinkled throughout this episode which really make it work. The snappiness to the characters shooting the shit with each other, their personalities really shining through. The best moment to really illustrate this is at the end of the first set, Aoba Jo(h)sai one point away from victory. Thankfully, Hinata is here to save the day! With his nerves consuming him more and more, you hear Daichi’s encouragement in the back, and Hinata let’s the serve fly at the sound of the whistle. It hits Kageyama, and without doubt, Kageyama’s anger flares. Hinata resigns to his fate, while Tanaka and Tsukki mock the head shot Kageyama with all they’ve got. This is already pretty good for what it is, but it’s just sent into great territory as Kageyama approaches Hinata with an amazing mix of his obvious temperament and his “consideration” for his team mate. Just slapping the back of his head, Kageyama’s delivery of the scene is wonderful. It’s scenes like this which really set the show in its own category, and thankfully there’s a constant sense of back and forth within the team. Being in a team has been a serious focus for Haikyuu thus far, and thankfully these characters within the team is showing itself to be a strength of the show. The scare Kageyama provides is just the step Hinata needs to try and focus a little more, and it’s Tanaka who actually sets Hinata back into his normal mode, which is only in his place after his comments earlier this episode. Everybody on his side of the net is an ally, and everybody there, besides Random Player #A, is a strength.

Following this, we start to see the signs of what kind of team Karasuno will manage to become. As said by the Aoba coach, it’s an interesting one as it should be. They’re the team who at the moment are somewhat roughly mix matched, and have their fair share of inexperience, be it in actual matches or as a team with this line-up. But as individuals, the abilities found aren’t to be underestimated. It’s evident enough that Hinata and Kageyama are going to shape themselves to be a good centerpiece of the team, but it’s good to see that that the other players aren’t going to be ignored in all of this. We have the all-rounder in the captain, the power player in Tanaka, and the defensive wall in Tsukki. Poor Yamaguchi and Sugu are currently on the sidelines however, and one can only wonder what they have to offer, particularly in the case of Sugu who’s having his spot decidedly taken by Kageyama. Either way, with Hinata working as his regular self, Karasuno manages to slowly gain their ground again Aoba. And it’s all seemingly good, no real competition found in the opponent as the only particularly recognizable player, Turnip Head, doesn’t prove to be much of an opponent on his own.

Of course, that’s where the final moment of the episode comes in, as Kageyama somehow knows that the opponent’s setter isn’t their main setter. And as if called, we have the mystery man show up with a crowd of fans signalling his grand entrance. The enemy is Oikawa, and we know nothing of him besides his status as a setter and that he’s clearly stands out more than anybody else on the enemy team. More importantly, this guy is a setter, and as I mentioned last time, the setter is kind of like a conductor. If there’s a good conductor within Oikawa, as there more than likely is judging his entrance, this might well be our first look at what a proper serious match will look like in Haikyuu. Maybe.


Baby Steps Episode 6

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Diamond in the Rough

BabySteps6

DoofusAnd so with his first match played, Ei-chan is beginning to see a light he can’t help but follow. Tennis is fun, after all.

It’s significantly less fun when you end up losing, but hey, that’s a hurdle a total newbie somebody like Ei-chan naturally has to get over. His path to tennis has only just presented itself, and in turn, he’s now recognizing the tools he possesses to walk down this road. I think it should be more than clear by now, by the small questions presented or even by the title of the show, that Baby Steps is a series about Ei-chan’s journey into the sport of tennis and his journey into himself. For somebody who’s been loving that journey for over 200 chapters worth, there’s something magical about seeing the humble beginnings as Coach Miura first recognizes that Ei-chan has potential within him. As far as anime goes, Baby Steps definitely isn’t the show I anticipate the most over the week, but it’s hard to keep a love for the series from bubbling up whenever the new episode does come around. I’m seriously a loser for this series’ charms.

Okay, so why I bring this up (again)? I’ve ended up rereading the entirety of what’s available of Baby Steps (again). And it really strikes me that despite how awesome the later parts are, the early steps really haven’t lost their value or enjoyability in lieu of it. There’s a near constant consistency present which keeps ever gear of Baby Steps important, it has an understanding of what its set out to do and how to go about it. And that’s where we can take a look at where we are with Ei-chan: we’ve gotten to the point where we know we have to proceed, we know we have what it takes to succeed, and we’re about to see what it is we can do with our skills.

And those skills are what we have present for the rest of the Maruo vs Oobayashi match. Ei-chan’s eyes, as proven thus far, are real high quality. It’s with these that he’s able to follow the ball no matter the situation, and it’s with these he’s able to see what it is his opponent is aiming for. The extent to which he actually sees though, is honestly pretty amazing. Naturally, the skill of following the ball and observing your opponent is a valuable skill in actual real life tennis, but Ei-chan’s ability to note down every hit of the match really shows the amount of detail his eyes pick up. Coach Miura notes this, and later on in the day at home, Ei-chan notes that people do seem to say his eyes are good. We even get a short scene of his childhood, showing off how he used to intently watch the passing-by train from his room, waiting for his dad to come home. Lil’ Ei-chan is adorable.

I could almost swear that purple toy in the back looks like an Oars Jr.

Of course, the coach and even Ei-chan himself dismiss this as being what can lead to his victory or what can be called a talent. He can’t win with eyes alone. But even recognizing this fact shows off his true ability, his ability to recognize a situation and recognize what he can do is an arguably even more important skill that he has. Without his eyes, he wouldn’t have ground to stand on, but its his ability to perceive information, process that information, put that information into practice which makes him the diamond in the rough that he is. With his meticulous approach, every instance he plays becomes valuable. What I enjoy so much about this though, is how well it’s framed. It takes a very straightforward and honest approach, building up from what the previous 5 episodes have shown about Ei-chan. It doesn’t give any real guarantees of success, nor does it mean Ei-chan is on the fast track of becoming the number 1 player around. But seeing how sucked into the sport Ei-chan is getting, seeing the kid go back to practice more after his one and only match, it creates a strong premise for a strong promise about the series.

But for now, we’re at the phase where Ei-chan has to push to even stay in the match for a decently long while. As far as tennis goes, pushing is generally looked down upon, as Oobayashi’s friends admit they’d love to just punch a guy who’s pushing. It’s the tactic of somebody who doesn’t have the skill to compete otherwise, and that’s pretty clearly the case here with Ei-chan. He didn’t have much of a choice, and with his desire to continue playing against somebody clearly much better than him, totally understandable he’ll do whatever he can. Not like he’s aware of the negative stigma related to the tactic, and it’s not like he’s likely to continue using it as he gains actual skills. Either way, the tactic did little in terms of changing the score, as Ei-chan loses the match, 6-1. But as it is, the match lasted for over an hour, and as Oobayashi broods over how the encounter went, even he recognizes there could be something real dangerous to look out for in Ei-chan. But it’s to be seen how dangerous he can really be to the dangerous foes introduced in the latter half of the episode. But judging from the pre-scene from the first episode, we’re bound to see how that’s going to go.

Which is excellent for this adaptation continuing to be a solid one.


Mushishi Zoku Shou Episode 6

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Floral Delusion

Mushishi delivers a very dark episode this week. Considering that it’s been a long time since I watched the first season, I don’t remember if there was an episode quite this dark before…

This time, Ginko is dealing with a case that can’t be easily fixed and explores the darkest side of humanity. He discovers a gorgeous young woman who is deaf and blind because of a mushi that lives in a cherry tree…which isn’t blooming on time. Years ago, she was found in the tree as a baby and was raised by the local villagers. Because she aged so slowly and sometimes became ill, they grew very protective of her. Although there is a way to drive the mushi out of her now, Ginko can’t guarantee that she will live.

As Ginko digs deeper into this, he finds out that the man currently taking care of her has prolonged her life by…chopping other girl’s heads off and attaching them to her body. That’s right; he’s dealing with a murderer. Before he can kill another victim, Ginko saves her and sets the house on fire. What follows next is actually bittersweet. The woman afflicted by the mushi grows old and dies in a matter of seconds–but hey, the cherry tree blossoms and is as beautiful as ever!

Well…okay, this was mostly sad to me. This girl grew up among people who loved and cherished her so much, and I can’t help but sympathize with her condition and even the man who desperately tried to keep her alive. In real life, people really will do the craziest things to help their loved ones, even if it means compromising their morals. Excellent episode.


Captain Earth Episode 4-6

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Captain Earth Episode 4-6

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Killzone

 

As Captain Earth continues along its merry way, I can’t help but think that there are serious issues plaguing this show despite the studio and team’s own pedigree.

If there is anything that Captain Earth is trying to hammer into its viewers, it is the fact that all the major names and concepts are tied into a Shakespearean template. The trouble is that I fail to see the connection between those two things even through the pieces are obviously there. Akuma no Riddle arguably does a better job with its spin on Shakespearean lore by paralleling Romeo and Juliet with one of its assassin pairs. In addition, it did so with only one episode leading up to the school play and another devoted to actually performing it out in front of a live audience. In comparison, the last three episodes seem so disjointed and uneven that I find myself hardly caring about the characters or overarching plotline.

So what really happens? Well, we have Amara and Moco, which I will be referring to Team Rocket now, attempting to extract Teppei at the Globe HQ. Before assaulting the base, Team Rocket, under the disguise of crepes selling, decides to actually make crepes and sell them to people. It seems kinda pointless since nothing of consequence actually happens. Equally pointless is the amount of fanservice with Akari showing off her bellybutton in one of the show’s oddest scenes and Moco with her enormous rack and not even attempting to hide her scandalous outfit while selling crepes. After that meaningless endeavor, they end up attacking the base and then in quick secession, repelled by Daichi’s Livlaster, leaving them empty-handed and bloating of their confidence that Teppei will turn back to the dark side.

The failure of logic continues to get worse in episode five where Akari and Teppei go onto a space station to visit/retrieve some Teppei lookalike. Here, it is just them without any supervision or security team escorting just waltzing into one of the keystones of Earth’s defense platforms and moving about in a highly secure area. The station’s commander, being Akari’s mother, is completely unconcerned about the special forces going around her base, hacking doors and blowing shit up. Nor is she concerned about her daughter engaged in a fight with gunmen, only worrying that she wasn’t a good mother.

Prepare for trouble. Make it double.

Prepare for trouble. Make it double.

Episode six fares a little better, being centered around Hana, and info-dumping on some of the plot’s less developed elements. It also comes with some pointless exposition about Daichi’s uncle, emotions and a half-ass attempt at kidnapping Hana by the Ark Fraction. Seriously, if the Ark Fraction or what passes as lame, blind and deaf SEELE, wants to be a major player in the plot, they need to step up their game. Sending a mere single agent that has NEON signs advertising that he is a bad guy and taking Hana as a hostage on a military base is suicidal and beyond stupid. Something along the lines of black ops wetwork teams infiltrating would have fared much better and been akind to something along the lines of the battle at NERV HQ during End of Evangelion. Instead, we get a wannabe Salty Dog suit thinking he’s tough shit, getting his ass handed to him and Hana leaping into Daichi’s arms like a bad K-drama.

Captain Earth at this point in time doesn’t know what it wants to be. All the elements that is has It is a drama focusing on the journey of our main characters into adulthood and saviors of Earth? Or is a thriller with many fractions vying for power and control of life-force energy? Or is it a comedy with incompetent fraction up to no-good antics with overbearing sexual tones? Or Is a just a show with giant robots trying to blow each other up?

 

Speaking of giant robots showdown, there seems to be distinct lack of that over the last three weeks. With the Earth Engine undergoing extensive repairs after Daichi’s second encounter with the Kill-T Gang, Albion just chilling in orbit around Earth and both Amarok and Malkin being blown into tiny pieces, the scale of fights goes straight down into oblivion with each passing of the three episodes. The assault on Globe HQ is only highlight in the sea of mediocrity, having a Kill-T Gang mobile suit engaged with human forces. I doubt that no one got killed in that showdown, seeing that the people in the APCs (drivers and crewmen) had no time to get out before being blown to metal bits. The gunners are shown to have gotten away but the Captain Earth loses an opportunity to bring up the tension by lacking the guts to show casualties from lazers flying everywhere. Daichi shows up and performs his shounen move of one-shoting the moblie suit and Team Rocket being blasted off again.

The fight in zero-g of episode five was fairly interesting but the plot armor of the main characters and not caring about Teppi’s imitation of a thing rob it of having any impact. Worse off is the next episode, is where Bones had the balls to show us pencil sketches of robots blowing things up in a epic flashback as if they were teasing the viewers of how great the show it could have been. In the confrontation towards the end, the only thing missing is Daichi yelling “MEGA BOOMERANG ATTACK” when he flings his projectile at the agent kidnapping Hana. I would rather have the dumb fun of Daimidaler then having shounen teenagers pointlessly meander towards plot point. I signed up for giant mechs, not this bullshit.

Copying Gunbuster's episode 6. How classy.

Copying Gunbuster’s episode 6. How classy.

At the very least, it seems that the show has its ships very much in order, avoiding the awkward teenage love triangles and further derailment of the narrative that may ensue. The teenage humans of Akari and Daichi pair up with their non-human human-looking teenage counterparts but I’m not getting my hopes for a compelling relationship due to shortage of chemistry between the pairings. The animation is still pretty much the only that Captain Earth has going for it, being the most technically proficient show of the season thus far. However, pretty looking visuals won’t save a show from having a flawed and weak foundation and only adds to the disappointment to Studio Bone’s flagship show of the spring season.


Hitsugi no Chaika (The Coffin Princess) 5-6

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 Hitsugi no Chaika (The Coffin Princess) 5-6

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KillzoneMeet Red Chaika. She is mean, lean and one angry whip carrying lady. This show continues to build up as the mystery deepens concerning the true goals of Chaika’s quest.

Well, this is getting rather interesting. Not only is there another Chaika running around looking for Emperor Gaz’s remains, there could be up to five Chaika doing the same quest. This revelation comes as White Chaika group, while on the run from Gillette, is ambushed by a hooded figure who turns out to be another Chaika dressed in red. The insuring fight results in Toru and Akari taking Red Chaika hostage and White Chaika being held by the attackers. What follows is a rather assuming torture scene where Red Chaika is repeatedly called Sticky until she gives up her real name. It is also revealed that she doesn’t process any memories and shares the same scar around her neck as White Chaika. In parallel, Red Chaika followers are charmed by White Chaika gentle mannerism and adorable expressions. They remark that they would rather much have her than the red ball of hate that is Red Chaika. Episode five concludes with both Chaikas staring down each other at the hostage exchange location at a waterfall.

In episode six, the hostage exchange is about to commence when suddenly, they are interrupted by a mob of flying magical vultures firing spells at them. It turns out that Gillette’s men inverted the sensations of all the surrounding creatures to whip them up into a frenzy in order to capture both Chaikas. Both parties manage to wipe out the attacking creatures and regroup to make other arrangements. At the same time, the governing body directing the Gillette corporation from the background is holding a meeting to discuss issues. After the collapse of Gaz’s empire, six nations emerge out of the conflict forming a council of some sort with a old and very bored king overseeing the proceedings. Domestic issues rule the day such as uprisings, poverty and food shortages with key members dismissing Chaika’s quest as nothing more than folklore. Because of the council’s other priorities, Gillette’s group is ordered stop the pursuit of the Chaikas and go somewhere else to suppress farming communities from revolting. The next attempt hostage exchange goes although a sniper had to taken out during the transfer. Later on, Red Chaika once again holds up Toru and asks him to join her party at the cost of White Chaika. He refuses by fighting off them off and Red Chaika is left vowing to someday finish her business with all the other Chaikas.

Over the last two episodes, the fights have been coming fast and hard. An attempted robbery against White Chaika in an alleyway ends up with Frederica demolishing thugs underneath her dragoon form. The next fight, which is the highlight of episode five, composes of White Chaika’s car being held up by a hooded figure. Toru quickly confronts this person with knives out, ready for a engagement. He also asserts the situation to be an ambush and yells for Akari to move out of the kill zone. The mysterious figure is revealed to be wielding a snake sword which functions as both a blade and a whip, depending on the range of the opponent. After ensnaring the whip, Toru quickly closes the gap and engages at the melee range where his dual daggers would be more effective than a single sword. A swipe unveils the attacker to be a very pissed off Red Chaika.

Red Chaika’s team composition consisting of two melees and a ranged sniper is a mirror of White Chaika’s own party minus the overpowered dragoon. However, there are important differences such what melee weapon each individual wields. Akari’s spiked hammer is massive blunt weapon but lacks the ability to perform quick attack while Red Chaika’s men carries a spear which having more piercing power and reach. Toru’s line knives is reserved for rapid close range strikes while the snake sword is for dispatching large groups at distance. It does seem though, that whatever their opponents use, the saboteur pair is more than capable of handling Red Chaika’s team, given the iron-blood transformation greatly outclasses the combat skills of any normal human being.

The next big fight involves fending off ugly magical vultures and both parties are forced to fight for their survival. Red Chaika’s men does a decent enough job of holding off the flock of rampaging birds while their support gunner uses the water as a source of a smokescreen. Toru’s party has no such luxury (because Frederica is curiously missing in action) and all three of them are forced to resort to brute force to wipe out the birds and survive. However, upon seeing the steam smokescreen, Toru detonates the sack attached to Red Chaika, which is a bluff disguised as a bomb, creating his own smokescreen. In that particular scene, it was nice to see Red Chaika immediately team up with the saboteur pair and goes on to kick ass. Her snake sword is quite good at taking out multiple targets at ranges that Toru’s line knives would have trouble reaching. The birds are no match for our combat harden trio and are destroyed in quick order.

Maybe if you joined in on a fight, you could do that.

Maybe if you joined in on a fight, you could do just that.

Toru’s foresight continues into the next hostage attempt, where he uses Ferdica as an Akari decoy while the real Akari hunts down the opposing sniper. Not much fighting happens as Akari is momentarily blind as her target is forced to use a flash spell in order to get away. However, very shortly afterwards, Red Chaika yet again attempts to lure Toru onto her team. Toru doesn’t take any shit from her and processes to transform into his iron-blood mode. Like clockwork, Akari performs a flanking maneuver on the supporting gunner and is able to once again take the heat off of her teammates. This time, she carries explosive throwing knives as a sort of payback against her pesky nemesis.  Toru’s opening charge is backed up by White Chaika flash spell forces another retreat through a smokescreen.

I enjoy the little touches within these fights such as White Chaika being unceremoniously kicked off the automobile by Akari during the first ambush and the way Toru holds his blade, preparing to ram it right through Red Chaika’s throat without any hesitation. These details assure me that the saboteur pair remain competent at what they do best which is blowing shit up and winning. The fight scene remains one of the strongest points of Hitsugi no Chaika as they are well choreographed, fast paced and lack the dumb yelling of what the name of their next attack is going to be.

Red Chaika stands in stark contrast to White Charka with her hyper-aggressiveness and furious nature. Where White Charka only wants to give her father a proper burial, Red Chaika wishes to bring vengeance on those who wronged her family. Toru’s notes that is the natural reaction to such an event, more so than the emotional closeness that White Chaika seeks. Her combat style is a reflection of her seething demeanor, preferring close combat rather than playing the support role from a range. As well, she views the other Chaikas as fakes and only she is the sole heir in uniting all the emperor’s remains. Seeing that Toru is a capable fighter and would be a valued asset in her party along with having some emotional attachment during her captivity, she is driven to add Toru to her numbers. By promising him more fights and a grand stage for his skills to be displayed.

Toru’s refusal to defect to Red Chaika’s side, even though she promises total war, is a reflection of his journey into coming to terms about the purpose of his life. He see White Chaika as a someone who is capable of great power and yet at the time, is vulnerable and all too trusting. Fights are wonderful and provide an outlet for his combat skills but they are only temporary and often unsustainable in the long run. In the end, he desires someone who needs him and Red Chaika is too independent and strong to fill that role.

One Chaika. Two Chaika. You can never have too many Chaikas.

One Chaika. Two Chaika. You can never have too many Chaikas.

Building on the wincest vibes from episode four, Akari continues to be rather protective of her sibling relationship, using dead lizards and spiked hammer to come between Toru and other potential love interests. At the very least, she does not fawn over Toru like some of the other characters this spring season (Miyuki from Mahouka), who shower their Onee-chan with praise. Instead, she does it in such a deadpan manner and that moments are short enough makes its tolerable and sometimes is even a little funny. Frederica is more a wild card than a reliable companion, showing up whenever she feels like it. Her absence is much more noticeable in the fights as her dragoon form would allow her to simply obliterate any opponent quickly. However, her motive for joining White Chaika is so that she can fight Toru later on and probably prefers to watch from the sidelines in keeping with her catty nature. Most likely, she gets more entrainment from watching her companions duke it out in a extended fight than prematurely squashing every combatant.  I do suspect that when our cast of merry heroes is facing a numerically superior and stronger force, she will play a large role in equalizing the balance of power for that fight and I look forward to her leveling the entire battlefield.

During the writing of this piece, I was delighted to find out that Hitsugi no Chaika will be a split-cour, having another 12 episodes in the coming fall season. Seeing that there was no way to wrap up the story in any meaningful way given the pace at which the show is adapting the light novel material in just 12 episodes, the extra running time will give the creative team much needed breathing room to bring Chaika into its proper conclusion. My hope is that Studio Bones will either step up their game for Captain Earth (where are my goddamn robots?) or allocate more budget for Coffin Princess Chaika because at this point, it is really their best show of the season.

 

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Haikyuu!! Episodes 7 and 8

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Versus the Great King

He Who is Called “Ace”

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DoofusThe Great King, the Guardian Deity, the Ace, and some ol’ store clerk.

Lot’s of names being thrown about this week and last. Those in a high position seem to gain them fairly easily, be it a nickname indicating ones status or a name which tells of a status. Though honestly, no name quite has the allure of “senpai”.

The Great King, a name which fittingly enough in comparison to Kageyama’s King of the Court most certainly not given by ones own teammates, turns out to be a very laid-back but honest sort of individual.  He has a very clear playfulness to him that brings some much needed presence to the opposing team. And presence isn’t all. Karasuno manages to keep a short at the end of their potentially winning set, at the end of which Oikawa has finished his warm-up and sets to the court. With him, we get the delightful return of the sketchy style Kageyama’s jump serve received some episodes ago, and bam. Having observed the court, proving that he has sharp sense about him, he aims for Tsukki as a weak link in receiving. These skills he show in the this short time place him to be quite a force to be reckoned with, but given the chance to attack, the first year combo show off their own skills, ending the practice match then and there.

Not much to be said there however, as while Karasuno may have been trying hard, Aoba Johsai didn’t seem particularly flustered by such a loss. They were never too invested in the win for this matter, rather more interested in appraising the level of the enemy. As this practice match was intended for. Of course, turnip head is none too happy about the result. He had some stake in this match, a certain belief going into it. And this belief was shattered. His meeting in the bathroom with Kageyama is a well done little moment of reflection, which helps put behind both of their past while not denying any of it. It works well for what it is, and it’s starting to be the level of quality one can expect from the show. Similarly, Oikawa shows himself to be quite the personality as he sees off Karasuno, getting in some relatively serious ribbing, as far as somebody clearly childlike can anyhow. He’s a pretty cool guy, approved. Their match here was maybe not the most involved, but with precedent of challenge set, any possible rematches are down to be somethin’ cool.

The Guardian Deity is also pretty damn cool. He understands cool. Black gakurans are absolutely cool. High school well chosen.

Cool guy right here

With talk of Nishinoya here, we also inevitably get talk of the other missing member of Karasuno, Asahi the Ace. Both of their reactions to their respective nicknames really says a lot about the two characters. While the lil’ shortie gets all flustered over his title (and over the Senpai suffix, maybe even a worse case than Tanaka with how deeply it strikes him), Asahi is much less receptive to the title of Ace. And the reason why makes itself quite clear quite quickly, at least on a surface level. It continues to show the strong focus on team dynamics at this point, and how important it is for the members to get along and be receptive to each other in their own manner. As Kageyama stole the responsibility for his old team entirely, Asahi unwittingly took the load of carrying the team on his own broad shoulders. But as strong as they are, once broken they can carry no longer. Which is precisely what happened, when Karasuno was once shutdown without letting a single spike by Asahi past. But as Kageyama learned to better himself after his moment of volleyball trauma, Asahi can still rebuild from where he is. It’s in hopes of this that Nishinoya won’t play for the team in fear of proving that Asahi isn’t needed, that Sugu attempts to persuade Asahi to join again because they don’t think any less of him due to the past, and why Hinata presents why he should return to volleyball again. Naturally, Kageyama leaves his own words on how there are 6 players on the court for a reason, and that no one player should carry the team, knowing very well he doesn’t have much room to talk on that matter.

But it’s these constant connections which may (definitely will considering the show) allow Asahi to connect his hand to the ball once more.

Finally, we do have one more important name (as far as people go), in that of coach Ukai and his grandson, who turns out to be the local store clerk. The teacher has been trying to persuade him to coach the kids oozing with potential, but the importance of Ukai name is something the grandson very much points out as being a reason as well. The teacher doesn’t lie about the name and how useful it would be for organizing matches, but it’s well enough that the grandson doesn’t want to take up the mantle in face of this. The overeager Takeda doesn’t allow this to dampen his efforts, however does know when to respectfully bow out for the day. It’s a little fishy however on the practice match he manages to organize for the end of the upcoming practice camp, being against an old rival of Karasuno High, Nekoma High. The coaches of the two teams used to be rivals, and in face of this fact, it’s somewhat telling what sort of thing the adviser might have done to succeed in making a practice match against Nekoma. He might be overstepping his boundaries there, but not knowing what he’s up to or what he actually did, let’s just leave it at that.

In the end, what we have going on here for Haikyuu these past two episodes are a real solid continuation of the previous 6 episodes, in terms of both quality and focus. Also amount of charming moments. Those are not in small supply at all, and don’t seem to be running out any time soon. Now it’s more of a question of whether we can hit some highs in the coming future from this consistent level of relatively high quality. We can’t necessarily expect them during this arguably still introductory period, but it’ll be curious to see what the show can do once it hits a moment or episode where it has to prove exactly what it can do.



Mushishi Zoku Shou Episode 7

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Cloudless Rain

 Mushi can be both a blessing and a curse, such as in the case of this young woman…

When Ginko first meets and observes Teru, we get the impression that she can predict when it is going to rain. The villagers have full confidence in her and often use up all of their water resources. Then, one day, her prediction comes several days too late. It’s not that she can predict the future, but a water-like mushi that entered her body years ago causes it to rain wherever she goes. If she stays in one place too long, it can cause severe flooding. This started reminding me of an earlier episode where a boy that was afflicted by a mushi caused constant snowfall. What’s interesting about Teru, though, is that she has learned how to coexist with the mushi, bringing rain to different villages where drought is common. Although it has caused her great hardships, she can still help and save people by using mushi the right way. Actually…she sounds a lot like Ginko!

I have to admit, this episode turned out to be better than I thought it’d be. Even though Ginko’s role was small this time, it was interesting to see Teru’s story unfold and try to imagine what I would do in such a predicament. Hmm…probably build a water town.


Baby Steps Episodes 7 and 8

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Nine-Square and Reality

One Year and Twenty Notebooks

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Doofus“In the game of tennis, if you can return all shots with excellent control, theoretically, you will never lose.” As it is, time and practice are all about changing those theories into reality.

Baby Steps is one of those series which have a very clear, yet not necessarily overt appeal to them. It hits the fundamentals, it straps down to it’s core aspects and slowly works on them. This is the sort of approach which suits the series swimmingly, and if that appeal isn’t at least somewhat evident to viewers by now, then we’re likely dealing with a series which isn’t for you. Baby Steps is going to continue down this path, the one which is most fitting for Ei-chan and his sensibilities, and it’s wonderful to see those sensibilities be brought to animated reality for those who seriously dig the style at work here.

The reality of animation existing in the show being somewhat subjective at times.

Actual fact of the matter though, these two episode here show the two ways in which the results of baby steps very much present themselves. Starting from the episode 7, that being Nine-Square and Reality, we actually have two fairly distinct halves at work. The first of which covers said Nine-Square, which genuinely tells of the ability of Coach Miura in his, well, coaching duties. As Ei-chan arrives for the unusually early practice suggested by Miura, he’s set with an unfamiliar site on the court, a grid divided into nine equal square portions. The name of the game is as simple as Miura says, to hit the ball to the number called. It’s a method of bettering the basic stroke that Ei-chan has spent repeating for the past months, and does a wonderful job of both capitalizing on his general strengths as well as inspiring to better his tennis. Coach Miura has set himself to Ei-chan’s pace (as much as he can in face of 100-squares), and is doing a great job of recognizing what kind of diamond in the rough he’s dealing with. Practice which deals in Ei-chan figuring out the basics thus giving him a wide variety of options, appealing to his meticulous nature as well as keen sense with control oriented training, and finally he very much inspires the boy with the quote at the start of this blog post. It’s giving Ei-chan the weapon he needs to win, in a fashion which makes sense to him. It’s lovely to delve into this sort of practice, not being particularly flashy but absolutely appropriate for both player and cause. One step is taken with giving theory and tools for an eager student, motivating their growth.

The other half of the episode brings about an intentional encounter with Takuma, thanks to Coach Miura. Reporting in for his victory at Kanagawa, the good ol’ coach requests for him to stay behind to play a practice match with Ei-chan. His intentions aren’t necessarily mentioned, but they’re not too hard to root out. As a coach for the both of these students, this match would be a valuable training session for the newbie with an experienced player which set in the reality of what he needs to do, while on the other hand the experienced player needs to get out of his slump in order to set himself back on the path he’s strayed from. The method the latter would come true would be by seeing the efforts of the younger player, but things aren’t necessarily that simply despite the solid sounding plan.

3rd set winner

Way to chump up both first sets. Honestly says a good deal about how he plays, being not entirely into it, an impression only strengthened by the rest of the episode.

As it is, reality is a strong force. The levels of the two players are too far apart, and Takuma wins 6-0, without any particular surprises. It would appear Miura’s attempt to teach both of the boys at the same time might’ve backfired due to enacting it too soon, but thankfully Ei-chan is so easy to bow down to reality. Rather, he accepts it, learns from it, and sets out a plan to see if he can set his own reality. As it was said before, every ball Ei-chan hits is one which he gains something useful from, and this practice match is no exception. While Takuma has been living in the shadow of his own reality of being utterly dominated by Ike Souji (an important name within the series), an immensely talented player, he claims that it doesn’t matter if Ei-chan attempts to do anything about it, be it by writing notes or creating harsher schedules for himself. Reality is reality. What I intensely like is what comes after, Ei-chan effectively declaring that he’ll see whether that’s the case for himself. His attitude is very accepting of the reality presented by Takuma, in both words and play, but he won’t be satisfied until he’s actually confirmed such things for himself. It comes out to be a very direct message to Takuma of having run away from reality, while Ei-chan accepts it and works with it. It has a sweet nuance to it that really shines through, and it’s this encounter which really carries the weight of both players taking another step forward.

And with taking steps forward, we’re met with small improvements as well as the flow of time. Since bam, all of a sudden, over the course of episode 8, we find ourselves having gone through an entire year. It’s a solid representation of another aspect of the title. If Episode 7 proves the great steps one can take with realizations and new tools, Episode 8 demonstrates how consistently applying oneself towards a goal can show improvements in many ways. It even starts from a simple change in general attitude; whereas Ei-chan used to act simply out of necessity, he’s now gained the steadfast disposition one might find through some serious ambition. These sort of things aren’t magical life changing modifiers on ones personality, but it’s notable in moments such as his interactions with his mother. This is an Ei-chan with some more confidence behind him.

3rd round loser beefcakes

Muscle definition is always pretty cool. If he can do it, so can I!

It’s confidence well placed too. This guy is moving ahead in all aspects of life at varying speeds, really making himself more balanced in the process. With personal relations, he might not be totally on top of his feelings toward Nat-chan, but considering he’s moved to that name from Takasaki-san (pretty adorably so), he’s definitely not the same guy from the start of the show. And when it comes to tennis, this guy has made improvements which are way impressive, making himself to even round 3 in some small tournaments. Like, no lies there, that’s very impressive for his time with tennis, and to even be gaining a reputation that’s so very flattering, Ei-chan is really showing the potential he’s brimming with. It’s not necessarily all too apparent to him, one with no real frame of reference as to how fast progress in tennis regularly is (although he clearly knows that he’s very much a latecomer), his frustration with only making it to the third round is reasonable for someone who obviously wants to succeed. And that’s where the year comes full circle, us finding ourselves at the onset of the Kanagawa Junior Circuit one more. Now with an Ei-chan who has 1 year and 4 months under his belt, an Ei-chan who’s filled up 20 whole notebooks, it’s time to see him put Coach Miura’s theory into practice. Within a year, can he show all those at Kanagawa that he’s on their level? That’s all on him from this point onward.


Captain Earth – Episodes 7-9

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Captain Earth – Episode 7-9

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Killzone

After nine episodes, I finally figured what exactly is Captain Earth is trying to do and why it is failing so hard in it.

Evangelion.

Not Star Driver, Eureka Seven, Rahxephon, Gundam, Gurren Lagann or any other mecha show.

It is Evangelion.

What does Gainax’s legendary series have to do with Studio Bones’s Captain Earth? It is something to draw parallel to when dissecting on why Captain Earth is having so much trouble gaining any traction. Both premises seem generic enough, having a bunch of teenagers piloting giant robots in order to save the world from otherworldly things. The main difference is that Captain Earth is trying right all the emotional brokenness of Gainax’s creation. Take a look at Daichi’s uncle and Araki’s father, who after years of neglecting his daughter, is making amends by taking all four of our main leads into his household. Or the shadowy Ark faction who wants move humanity into space, become transcendent and completely sucks in being a puppet master. Or that Daichi has gotten over his childhood trauma but is underpowered when it comes to winning actual mecha fights. Instead of the dense Christian mythology that Evangelion is steeped in, Captain haphazardly uses Shakespearean works to fit within its narrative. People, concepts, organizations and plans are named after various plays but the words lack any substance or impact to them. They could be any other name and it would make no different to the overall plot. It is hollow and lacks the tension that Captain Earth desperately need especially when it comes to the nuclear weapons department. It was quite jarring to see that Globe has complete authority in launching tactical nuclear strikes on inhabited cities and create a holocaust in order to take out a few mere Macbeth offices. As well, the ease with Akari is able to hack into the world’s nuclear arsenal in low orbit is quite disconcerting. We don’t see the weapons themselves, the willingness to use them nor the fallout of resorting to such a option. All we have is a bunch of people promising very deadly and big explosions with nothing to show for it. Coming back to Evangelion, with its N2 mines being the equivalent of nukes, it showed time after time, the destructibility of such devices even though they were barely effective against their primary targets. The decisions to use them were not taken lightly as they were always used in as a last resort weapon. Here in Captain Earth, nukes are being handed out to every nation and our protagonists like candy and toss around like some hot potato waiting to blow up.

We're like Power Rangers now.

We’re like Power Rangers now.

Enough about me ranting on about the directionless of Captain Earth and get on with what is going down these last three episodes. We have the Kill-T-Gang coming back for round two in space and having Teppei losing his immortality for a Livlaster or something to that effect. Episodes 8 and 9 deal with locating designer children, preventing them from being awaken and turning into Kill-T-Gang. Along the way, our group of teenagers visit a casino and comes across a roulette dealer who is really one of the designer children. The dealer then goes up to see his boss about his special power of skewing the odds but then Team Rocket busts in. Props to the casino owner, who pulled out his gun instantly and opened fire instead doing the stereotypical thing of freezing up. Too bad that Amara just overpowers him completely and Moco awaken the dealer through a kiss. The ensuring battle ends up with Zin, the roulette dealer, failing to transform into a Kill-T-Gang and Akari hijacking valuable data from the enemy. Episode nine continues the trend of seeking out the second of five designer children. In this case, it is a idol singer who has had a past filled with despair and emptiness as opposed to her current persona. It was very obvious from the onset, that she was the next one judging by the five minutes of her song looping in the background as our heroes yet again go eat at a dessert cafe. The data taken from the previous battle indicates that there is about four minute window from activation to ascension to Kill-T-Gang. Akari get kidnapped and is forced to disable all the low-orbit impactors at gunpoint. Despite that, Daichi manages saves the day once again and Akari is let go after she threaten to turn Earth into a parking lot.

The joke of calling Daichi captain over and over again, got really annoying in a hurry. The title has the word Captain in it and it should be an honor, not a something to be made fun of, to be called by such a title. The pointless expeditions to various food outlets continues to annoy me as well as it stumbles in forming bonds between the main characters and distracts them from the pressing issue of saving humanity. Speaking of lazy and poor writing, Pokemon Pritz is sure a massive plot device in pointing where our heroes should go next because screw explanations and just deal with it.

I’m finding I like the designer’s children and Team Rocket more than the main characters because they are so much more bloodthirsty, psychopathic and fun. Case in point is Amara instantly shooting Akari in the cheek and the newly awaken designer children coming out for delicious vengeance. I’m quite glad that the production team decided to cut short the loneliness aspect of the unawaken designer children and just turn them into awesomely evil people. There is enough forced angst within our four main leads about feeling useless and guilty for not being there.

If you cross me again, I will nuke you from orbit with my magical girl powers.

If you cross me again, I will nuke you from orbit with my magical girl powers.

At least the mecha fights are marginally better than the previous three episodes featuring a four-way brawl in space and smaller fights with ordinary engines. The space battle was nice in that there was a small aspect of teamwork on both sides and stuff blowing up in general. The conclusion was a letdown as it ended with a shounen trope of a final punch between Amara and Dachi with the Earth Engine inexplicably winning despite its battle damage and smaller frame. The other two noteworthy fights take place within a port and on top of buildings. Zin’s fighting style is more of a close range fighter while the idol singer is an artillery-type, raining death from afar. There were some nice moments in each fight and showcased what Bones can really do when they put their minds to it. Unfortunately, the well-animated and intense scenes only last for less than thirty seconds before going back into its regular mediocrity. The trouble is that the fights lack any tension or scale. Where is the collateral damage that giant mechs are suppose to bring? Did it get toss into the trash like the logic and plot of this show? I must admit that having Daichi opening up his cockpit and pull out his Livlaster as a last resort weapon was pretty cool. What was not cool is that he just screams for more power like some fucking shounen to penetrate the enemy’s shield and his gun magically does what he tells it to as if it was powered by friendship or rainbows. I’m also questioning the tactic employed by Globe as Daichi run straight into the line of fire of the artillery mech instead of abusing the blind spots of the surrounding buildings and angles of the tall building of which the enemy situate upon.

Overall, I’m going wary of the non-existent foundation of this show and am dreading every time I have to watch a new episode of Captain Planet Obvious .

 

 

 


Hitsugi no Chaika (The Coffin Princess) – Episodes 7-9

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Hitsugi no Chaika (The Coffin Princess) – Episodes 7-9

 

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KillzoneChaika Chaika Chai-KA. Hungry, Hungry, Hip-PO.

After their encounter with Red Chaika, the pacing of the story slows down from the brisk pace of fighting through the countryside and does some world building, character development, and adds another piece of the emperor’s remains into the collection.

After a shopping trip for magical fuel, our trio of saboteurs and wizards are confronted by the Gillette Corporation once again and it is only due to Frederica’s dragoon skills that Chaika manages to escape. From the location provided by their mysterious information broker, they enter into a canyon that is really a spell designed to trap those unfortunate enough to wander in. After some clever thinking on part of our heroes, they manage to take down the fog of doom emitter and retrieve one very gigantic leg from a mentally broken former hero. The next episode is a detour in a settlement devoted to the reemergence of Gaz’s empire after they are stopped at a checkpoint where an imposter Yellow Chaika makes an appearance as their figurehead. After a very assuming circus act to appease this rebel fraction against the current government, it becomes very clear that this is ragtag group is little better than your average bandit outfit. Some character development and a prison outbreak later, Chaika manages to convince them not to lose their way (minus epic insert song) and continues along their journey. Episode nine deals with the very pressing issue of obtaining  more magical fuel and reveals the gradual emotional and physical hardening of Toru’s and Akari’s past. Not a lot of action happens here as it involves flashbacks and setup for the upcoming raid on the flying fortress Soara.   

I’m noticing a pattern that with each successive hero that our group comes along, the more wary and broken they get. Aside from the first hero of Robert Abarth, who seems to be doing well enough on his own, the other heroes seem to be in a far off worse state after the war. Frederica was impersonating  her master, who died of illness in a bed instead of on the battlefield like a true warrior, and surrounded herself with items that reminded her of better times. Simon Scania lives as a raving hermit at the bottom of a canyon and only seeks to have others share in his painful experience. The fourth hero, who is not even mentioned, apparently sold his piece of Emperor Gaz to a business tycoon for a large sum of money. It seems that the emperor’s curse may have some grounds after all judging from the state of all the former heroes.

Speaking of revealing inner details of the world, the mysterious fog in the canyon was a great way to dive into Toru’s hopes for a future other than fighting and survival. Designed to ensnare those unfortunate enough to wander into its grips, the fog twists its target closest relationships into a nightmare itself. Instead of showing illusions inside the target’s head like so many other mind control spells, this one actually physically manifested for all to see. Even though Frederica is able to cast a protective magical bubble shield around Akari, Chaika and herself, they all can observe exactly what illusions Toru is undergoing. It is quite heartening to see both fake illusion Chaika and Toru come together and live happily ever after. But in a completely out of character twist, Gillette comes riding up scoops up Chaika as he has the last remaining piece of the emperor’s remains. This causes Toru to go into despair after being betrayed by the one closet to him and left alone wallow in his depression.  At the same time, it was completely hilarious having the other three real females provide the commentary and beat up on Toru after he is rescued from the fog. Frederica seems quite eager to lay in some jabs of her own on him to make up for Toru not fighting her in a death battle.

 

Fight Club? You don't talk about Fight Club

Fight Club? You don’t talk about Fight Club.

During that entire portion of the episode, I was getting Avatar: The Legend of Korra vibes due to a very similar scene where Tenzin and his siblings enter the Fog of Lost Souls to find his daughter, Jinora. The fog in that series uses the fears and insecurities of its victims to drive them into a state of eternal imprisonment. It was only when Tenzin has a heart to heart conversation with his father’s spirit and accepts that he must forge his own path instead of emulating someone else that he was able to overcome this particular challenge. Rather than using compelling character growth as a solution, our heroes of  Hitsugi no Chaika resort to clever planning, teamwork and raw firepower to reach the source of the fog emitter and blow it up. It is these differences of how the fog operates and the method of which it is defeated that I can appreciate the how both series carry out their own distinctive narrative styles.

After spell emitter is taken out and the magical fog lifted, Simon Scania comes out to greet our heroes in  incoherent manner, not unlike a homeless person who has been on the streets for a while. It turns out that after the war against Emperor Gaz was finished, he was betrayed by his wife and the army that he fought turned their back upon him. Using his skills as a magical machinist of sorts, he built a the fog of doom emitter to spread his despair around by making others suffer just as he did. Unsurprisingly, given his deteriorated mental condition and fearfulness of his past, Simon is willing to give up his piece of the emperor without any resistance. It turns out that his piece is a leg. A really gigantic leg somewhere around the size of Chaika. The size is making me wonder who exactly Emperor Gaz is, given his terrifying reputation and really large body proportions.

If episode seven emphasize on envisioning what the future looks like in regards to Chaika and Toru, eight and nine brings it back into the present and past. With three out of the eight remains under Chaika’s belt, they come across a checkpoint under the control of Neo Gaz Empire, who are devoted in bringing back an idealized past of the old empire. Leading them is a Chaika lookalike, wearing a yellow dress and speaking perfectly good unbroken Japanese. Despite their boasting about their superior ideals and awesome future plans, it is clear that they are severely lacking in the quality department. To avoid raising suspicious about their true identities, Toru’s and his party decide to play off as circus performers and hold a show to entertain their “royalty”. It was fun seeing our heroes perform tricks like a street artist but Frederica cat going into the coffin just takes the cake. I honestly thought that Frederica was going to turn into her loli form, but instead I was pleasantly surprised to see a very menacing dragoon pop out to wow the crowd.

On the Gillette front, we see him diving deeper into the history of Emperor Gaz as he is rather perplexed by the lack of data on the former emperor. Sharing the same experience as  the Neo Gaz Empire, no one is quite sure of what he looks like nor has the slightly clue of what his greater plans are. What we do know is that he was a man of great power and commanded fear and respect from those beneath him. He also developed much of the modern technology seen in the show including the automobiles, gundos and fighting techniques of the saboteurs. His daughter, Chaika remains an enigma as all the copies of her lack any memories in regards to conclusion of the war and is imprinted with only the desire to gather his remains. Even her current memories are at risk of being lost as she tells Toru that her memories can be converted into magical fuel. If there is no other sources of magical fuel available to power her weapons and vehicles, she can sacrifice her experiences for energy. Ever since she met our protagonists, she hasn’t use that particular skill yet and Toru insist that she mustn’t do so again.

A passing caravan of traders prompts Chaika to ask about the saboteur’s past and what their memories were when growing up. Akari begins a flashback that shows them doing nothing but constantly training for warfare. The younger Akari is comically in love with Toru as she plays more of the stereotypical imouto love that is all the rage these days. Although her feeling have never changes, she somehow develops into expressing it in a deadpan manner that we see today. Toru is also much more optimistic about life, or rather taking life away from the enemy and has his first crush on a older women who regularly traded with his village. When she later dies to a bandit attack, his emotional and physically demeanor becomes harden and his attitude towards life grows cold. It is only when he meets Chaika that he begin that process of living once more instead wandering through life. It is both Chaika and Toru that need to journey with each other to begin that process. Now that she has memories that are worth keeping and Toru can move forward, it is both their good and bad experiences that make them into the people are they will be.

Along the same parallel line of thought, one of Gillette’s men reflects on his half demon/half human makeup. As he was created for the sole purpose of being cannon fodder, he was literally born to be killed. Only when Gillette take him in and treated like a normal person that he is spared from such a fate. Perhaps this is why Vivi is so hopelessly attracted to Gillette as she repeatedly tries to confess to him. It is his sense of justice and impartiality that leads the audience to question Emperor Gaz’s final plans and Chaika’s quest.

            Those complaining that Frederica wasn’t doing enough fighting got their wishes granted in episode seven where she was instrumental in saving our cast twice. After Chaika finishes her shopping for magical fuel with Toru and Akari, they are ambushed just outside of town by Gillette’s and his entire team. As usual, the saboteur pair is on top of their game, being able to take on multiple skilled opponents but not really able to go on the offensive. Chaika has her magic railgun up and ready to fire but the high chance of hitting her own companions prevents her from contributing. As well, the high magnification scope mounted on her rifle is close to useless in a close quarter battle so she should probably switch to iron sights then.Outmatched and outnumbered, Toru is prepared to sacrifice himself in order for the other to escape. It is just then that Frederica happens to popup on top of the Gillietemobile and declare her presence like a boss.

 

Nerf Dragoon Plz.

Nerf Dragoon Plz.

 

Being the overpowered and bloodthirsty dragoon she is, the only thing stopping her from steamrolling Gillette’s party is Toru insistence to just hightail it out of there at the cost of ditching the recently purchased magical fuel.

The second time that Frederica’s power is showcased is during their adventure through the canyon where Simon Scania’s fog of doom machine is the primary threat. She starts off by diving straight down the canyon to save the day after everyone else decides that rock climbing on an unstable geological feature without any safety gear was a good idea (hint: it’s not). Later, her casting of the magic barrier was the only thing that saved her companions from falling under the fog’s spell. Then, after Toru comes up the solution to escape the fog, it was good to see everyone work together and having Chaika blasting off spells while riding on Frederica like a true champion.

Team Chaika. Coming again to save the day.

Team Chaika. Coming again to save the day.

            Only other two moments in eight and nine had any real type of action; one being the bandits attempting to take our heroes’  processions and the other, being a jailbreak to free imposter yellow Chaika out of military prison. In the first instance, there isn’t any actual fighting done on screen as it only shows Toru and Akari strolling towards the group of hostile Neo Gaz before cutting to a shot of Frederica and Chaika just chilling inside the automobile while the noise of the fight plays in the background. It seems that a group of mere thugs fighting two highly skilled and trained saboteurs is not even worth animating, which is all right by me. The breakout happens just after this fight concludes complete with much pleading and contemplation for Toru and Chaika to help out. A new helpful spell is revealed that can cause a targeted object to become completely silence, especially if said target happens to be Akari’s spike hammer breaking through prison bars. Instead of using brute force, stealth tactics quickly resolves fake yellow Chaika imprisonment  Although the actions has been rather sparse in the last three episodes, it is the quiet moments of character interactions that make up for it. The little touches really make the highlights such as Vivi carefully pocketing her fortune before running off to the next assignment and Chaika chucking a walnut at Toru in frustration to his subtle rejection of going anywhere beyond a platonic relationship.

It has been mentioned twice in pervious episodes that the current council is rather preoccupied with other matters not relating to the immediate capture of all the wandering Chaikas, particularly the one pertaining to a rogue duke gearing up for a potential war. Under this duke’s control is a weapon that is capable to turning the tide of entire campaign, the flying fortress Soara, and judging by the sliced-up emissary that they sent back, he means business. I’m impressed with how organic these seemingly unrelated elements come together to involve all our acquainted groups. The Gillette Corporation, taken off the Chaika case, is tasked with investigating Duke A antics as their mandate is to uphold the peace of the willed nations. Chaika’s party needs to board the Flying Fortress because the Duke holds a piece of the remains. Everyone else is gearing up for a massive battle as the show builds up into revealing some earth-shattering surprises as we head into the season one finale.  chai103

 

 


Haikyuu!! Episode 11

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Decision

Haikyuu11

DoofusOut of all the kings, I’m glad to say the king of trash finally deigns us with his presence.

Having the ace and libero return to their team, Karasuno is now finally ready to fight! To do their best at a training camp! Obviously, this being Hinata’s first experience with anything like this, he’s totally got the jitters at first, but thankfully this isn’t a repeat of what happened with Aoba Johsai. They receive, they spike, they run, all sorts of training happens at this training camp. But most importantly what seems to be going on here, besides recognizing once again the importance of being able to receive, is deciding on what is going to be the major line-up for Karasuno. As it stands, it’s clear enough that Yamaguchi isn’t gonna be making it, but he’s only a first year. If he wants to find himself on the court, he’ll have his chance. The major question mark here, as much as you’d be able to call it one, is the decision between which setter to use. Wonder boy Kageyama, or experienced rider Sugawara.

It’s not really a hard decision here, if the only determiner were ability. Suga may have built trust with his comrades and what skill comes from those two years of high school volleyball, but somebody on Kageyama’s level would not take long to accumulate such experience. No, the real problem comes from understanding that this is Suga’s last year. Coach Ukai gets exactly the sort of frustration one might have, being in their final year and being unable to play. For somebody invested in the sport, invested in the team, all sorts invested in what they’ve been doing for so long, there’s no way such a thing wouldn’t be frustrating. Having to choose one over the other, knowing you’re essentially taking away another guy’s final chance of playing, sucks.

But this is why Suga is a cool guy. He has no intenti0n of giving up on playing, but at the same time, he has no intention of letting Karasuno choose anything but their strongest weapons. It paves way to a nice scene between Ukai and Suga, the latter seriously impressing the former with their mental fortitude. We receive a similar situation with the almost nameless second year students who once quit the volleyball club during Ukai Seniors training sessions. Back then they were casual players, but upon their return, they’re very much in the club to win. This serves as a reminder to Asahi as not to be such a big softie (this will never stop being the case), and as another sign for Hinata (and Kageyama) of who they are on the team.

suga crouching cutie hidden bully

Just look at his hands. He knows what he did. That was straight-up cold blooded murder.

It should be clear enough at this point, but Hinata has moved on from wanting to be on a team. He’s still absolutely about being on the court, however now he’s in the phase of brooding over his position in the team. Not in the sense that he’s being overly negative, he’s mostly just acknowledging himself, since he’s still full of energy be it in his overzealous practice or mistaking a post-shower Nishinoya for a small child (which is almost as impressive as Asahi’s monster transformation). But as Hinata is now, he’s coasting largely on Kageyama’s skills. While Kageyama is certainly skilled enough to be on the team through his own merits, Hinata owes his position on the court to his paired set with the setter. Little guy’s gonna have to find his strengths as goes along, and as destiny (coincidence) would have it, he gets to play with the same number as the Little Giant did. 10 is better than the number 9 anyway.

Beyond that. We get our first proper glimpse at the destined rivals of Karasuno. Mostly in the form of one Kozume Kenma. Kind of stand-offish, highlighted hair, and the apparent brains of Nekoma. His encounter with Hinata isn’t particularly long, but it does well in showing what kind of kid we’re dealing with here. Volleyball is mostly a sport he plays since it’s what he does and what his team mates need. It is what it is. Hinata doesn’t particularly admonish him, but does kind of hope that he might enjoy the sport more. Either way, another Nekoma player swings by to fetch the lost Kenma, who gives Hinata a “see you soon”. The little idiot doesn’t even get why. That said, we also get to see Nekoma practice, and fittingly enough, they’re a team who seems to be the opposite from Karasuno. Karasuno has strong attack options with some very talented players, but are lacking in proper defense and receives for the most part. Nekoma on the other hand has been known for its receives, and the current Nekoma seems no different. There’s no outstanding player according to their opponents (although Kenma has to have some reason for being called the brains, and I seriously can’t imagine his caretaker being just average). We end off with a good ol’ stare down, and come next week, we’re ready to have a battle with Karasuno’s new formation. Solid episode, as per usual.

nishinoyalibero

Also, putting this out there, but black and orange is a hella solid color combination.


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